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Someday my Prince will come, Not. Breaking the Chain.

I don’t remember the years between 5 and 9/10 years old but afterwards I suffered major hairloss and wrote a song called ‘Amnesiac’. Other than the memories below the only other memories potentially between this time are of pain such as falling on glass, concussions, falling off a bike, swallowing paint, head getting stuck in a bannister, being locked outside, hiding for hours, burning hand, broken arm, being beaten in the back with a stiletto shoe, a steel ruler etc. Most of them I remember as accidents.

Then there was house I used to stay at every weekend, she was formerly a neighbour and had moved quite a distance but came to collect me anyway. The last time I stayed there she had friends over, it turned into a party and all I remember is hitting something behind me (probably furniture) as I slumped into unconsciousness and saw her friends laughing at me like hyenas. Shortly after at school every one in my year had to be ‘checked’, we each individually went into one of the assembly halls and our parent(s)/guardian(s) waited outside. In the hall were a group of adults seated at tables and we had to strip down to our underwear and present ourselves as well as pull our underwear down a little. Apparently they were looking for signs of abuse and that there had been a report of domestic violence but one of people from the party was on the panel.

My earliest memory was at 5 years old, and according to child psychology that’s pretty late for children; I remember being in a car and seeing lights go past (night time) and my dad being there or a father figure. Apparently it was a family outing but I don’t remember anyone else there except him and I. We were going to see Cinderella (1950 Disney version) at the local cinema but it wasn’t re-released that year… I’ve always wondered what it meant and that if it was a type of story/fantasy programming why wasn’t it the usual Oz stories, Alice in Wonderland (had elements of that in my life) or the Narnia Chronicles.

Cinderalla and the ash ‘cinders’ girls stories in general are obviously based on kindness (including kindness to animals), subservience with gratitude/grace built in to those who are greedy and ruthless, punishment (for what?) and reward, and rising again like a phoenix to royalty (as if royalty is any better) but through marriage. (Thankfully I’ve gotten rid of the ‘lost partner’ complex as I wrote about HERE in many fairytale programmings.) This was later reinforced by the book ‘Pamela: Or Virtue Rewarded’ (1740) by Samuel Richardson – the story basically shows her gaining status and respect by marrying into a higher class to the man who tried to/did rape her. However in that story Pamela is a resilient character who stands her ground whereas Cinderella is portrayed as unquestioning (though not in the Grimm’s version, explained later).

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Excerpt from: http://www.vox.com/2015/3/15/8214405/cinderella-fairy-tale-history

Disney didn’t invent Cinderella. Her story is at least 2,000 years old.

Updated by Kelsey McKinneykelsey@vox.com Mar 15, 2015, 12:00pm EDT

There are two faces to Cinderella: there’s the European folk tale that evolved into the modern-day story of a girl in a big blue ball gown, and there’s the centuries-old plot that has been passed between cultures for millennia.

The story of overcoming oppression and marrying into another social class to be saved from a family that doesn’t love or appreciate you is an incredibly powerful one, too powerful to be contained by the story we all know. At the center of most Cinderella stories (whether they use that name for their protagonist or not) is one thing: a persecuted heroine who rises above her social station through marriage.

The first recorded story featuring a Cinderella-like figure dates to Greece in the sixth century BCE. In that ancient story, a Greek courtesan named Rhodopis has one of her shoes stolen by an eagle, who flies it all the way across the Mediterranean and drops it in the lap of an Egyptian king.

Taking the shoe drop as a sign from the heavens (literally and metaphorically), the king goes on a quest to find the owner of the shoe. When he finds Rhodopis, he marries her, lifting her from her lowly status to the throne.

Another one of the earliest known Cinderella stories is the ninth-century Chinese fairy tale Ye Xian, in which a young girl named Ye Xian is granted one wish from some magical fishbones, which she uses to create a gown in the hopes of finding a husband.

Like Rhodopis’ tale, a monarch comes in possession of the shoe (this time, the shoes have a gold fish-scale pattern) and goes on a quest to find the woman whose tiny feet will fit the shoe. Ye Xian’s beauty convinces the king to marry her, and the mean stepmother is crushed by stones in her cave home.

The European version of the story originated in the 17th century

In total, more than 500 versions of the Cinderella story have been found just in Europe, and the Cinderella we know best comes from there (France, specifically).

The first version of Cinderella that bears a significant similarity to the most famous version emerged in the 17th century, when a story called Cenerentola was published in a collection of Italian short stories. Cenerentola has all the ingredients of the modern-day tale — the wicked stepmother and stepsisters, the magic, and the missing slipper — but it’s darker and just a bit more magical.

In the story, a woman named Zezolla escapes the king, who wants to marry her, at two separate celebrations — before he finally catches her at the third one and prevents her from leaving. Instead of a story of requited love, Cenerentola is a story of forced marriage and six very wicked stepsisters.

Sixty years later, the Italian tale got a French twist and became the story we know. In Cendrillon, Charles Perrault — a French writer credited with inventing the fairy tale — cast the form that Cinderella would take for the next 400 years. He introduced the glass slipper, the pumpkin, and the fairy godmother (minus the bibbidi bobbidi boo). This is the version Disney later adapted into its animated classic.

The Brothers Grimm had a, well, grimmer take on the tale

The Brothers Grimm also collected the tale in their famous fairy tale compendium. That story, called Aschenputtel (Cinderella in the English translations), appeared more than 100 years after Perrault’s version in the 19th century.

Aschenputtel is a much darker tale. Cinderella’s wishes come not from a fairy godmother but from a tree growing on her mother’s grave. Her father, instead of being absent as in Perrault’s tale, is willfully ignorant of his daughter’s suffering.

In the Grimm version, the heroine’s slippers are made of gold (not glass), and when the Prince comes to test the stepsisters’ feet for size, one of them cuts off her own toes to try and make the shoe fit [My comment: how very Chinese]. In the end, Cinderella marries the prince, her stepsisters serve as her bridesmaids, and doves peck their eyes out during the ceremony. It is, needless to say, a beautiful tale for children.

For more information on Asian versions of the story look here: https://en.wikipedia.org/wiki/Cinderella

Exerpt from: https://www.bustle.com/articles/61053-9-things-about-the-original-brothers-grimm-cinderella-story-that-are-nothing-like-the-disney-version

By JR Thorpe Jan 29 2015

9 Things About The Original Brothers Grimm Cinderella Story That Are Nothing Like The Disney Version

1. Cinderella is exactly the opposite of helpless.

Aschenputtel (remember, that’s Cinderella’s name in their version) doesn’t mope about. She sorts everything out herself, and considering that her pragmatism involves a magic tree, some enchanted birds, and the apparent ability to disappear, it seems that she isn’t actually an emotionally neglected kitchen maid, but a talented witch.

2. She is also seriously good at hiding.

The Grimm Brothers’ prince insists on accompanying his newfound love home, to see who the hell she is. (Twice, mind you, since there are actually three balls in the original story.) Aschenputtel has to hide in a pigeon coop and up a pear tree until he goes away. And she isn’t found. Good work.

3. The ‘fairy’ godmother is really just a tree growing on her dead mother’s grave.

The godmother’s not a fairy, or even a person. In Aschenputtel’s version, Cinderella’s father asks what he can get her on a business trip, and she asks for a simple twig (the stepsisters ask for gold and pearls, because they’re not maudlin hippies). She then plants it on her mother’s grave and waters it with her tears. Said tree grows up to give her whatever she wants: the dresses are just the latest incarnation. Aschenputtel is clearly powerful as hell, so why she wants to marry some dude who chases her into a pigeon coop is beyond me.

4. The stepmother has a peculiar obsession with lentils.

Aschenputtel’s stepmother throws first one, then two cups of lentils into the ash and tells Aschenputtel that if she can pull them all out, she can come to the ball. Aschenputtel manages it, which I will explain momentarily, but I still don’t know why she didn’t ask the tree to throw down a sword and just chase the lentil-hater around the garden. [My comment: reminds me of a Caribbean of African folktale about tricking a particular type of demoness by making her count rice and she has to finish before sunrise.]

5. “Fit into the shoe” actually means “cut off bits of your feet.”

None of this wimpy “my foot doesn’t fit” stuff for the Grimms. To fit her into the tiny golden slipper, one of her sisters cuts off her big toe, the other a bit of her heel. Their plans are foiled by the blood everywhere (which surely somebody must have thought about), but hey, points for trying.

6. Cinderella has some seriously badass birds as minions.

The birds are basically Aschenputtel’s soldiers: they pluck all of her lentils out of the ashes, eating the bad ones and putting all the good ones in the pot. But they’re not cheery little singing friends.

When her stepsisters cut off their body parts to fit into the slipper, the birds tell on them, by twice sitting in the Hazel Tree of Death and singing a peppy song to the prince about how the slipper of his stepsister-bride is filling with blood.

And then, once they’ve guaranteed their witchy mistress’s ascension to the throne via marriage, they find the stepsisters in the church and peck out their eyes. (More on that in a moment.)

7. The father has a strong destructive streak.

Aschenputtel’s dad’s not dead, as he was in the Disney film; instead he’s still around and being a nuisance. When the prince turns up at his door, not once but twice, with a story about a girl hiding in various bits of his property, he doesn’t call the police — he, wondering if the girl could be Aschenputtel, gets an axe and chops whatever it is down. Pigeon coop? Smashed. Beautiful pear tree filled with fruit? Kindling.

Let me remind you that he does this while thinking his daughter might be inside. She should have got her birds to make her a boat and floated the hell away from that madhouse.

8. The prince is a predator [my comment: and hunter] with a mysterious-princess-trap.

I have to give Aschenputtel’s prince credit for at least having a personality. Admittedly he does chase her into chicken coops, but he also, after the third ball, he lays a trap: he smears the palace steps with pitch so that she leaves her golden shoe behind. Smart man. (Though he then fails to notice said shoe filling with blood until some magic birds tell him.)

9. The stepsisters end up getting horribly blinded.

The Grimm stepsisters are truly awful, and get a truly awful comeuppance. You know how I said they were blinded? Here’s how that goes down: they want so badly to get the reflected glory of Aschenputtel’s royal wedding that they accompany her up the aisle, at which the birds peck one eye out. But they still want it so badly that they accompany her back down the aisle, and the birds promptly peck out the other eye. Respect.

I’ve just been refreshing my memory about jewel stones and colours in masonic training as well as the gems/colours for the tribes of Isreal (and astrology) when I found some interesting comparable parables in the bible:

http://timothyfish.blogspot.co.uk/2009/10/is-there-cinderella-story-in-bible.html

Wednesday, October 7, 2009

Is There a Cinderella Story in the Bible?

Someone came to this blog the other day looking for the answer to the question Is there a Cinderella story in the Bible? The answer to that is yes and no. It depends on exactly what aspects of the Cinderella story you are referring to. No, you won’t find a maiden with a fairy godmother who transforms her into a princess, but yes, there are some stories that have similarities to the Cinderella story.

Consider the life of Joseph. His father loved Joseph, but his step-brothers hated him. They hated him so much that they threw him in a pit and would have killed him had not he older brother suggested they sell him instead. He was taken to Egypt and sold as a slave and eventually ended up in prison. But he had the gift of prophesy and he foretold of a great famine. The king was so convinced by Joseph that he put him in charge of preparing the land for a long period with few crops, making him a rule of the land. Joseph’s brothers came when they needed food and bowed before him.

Or consider Ruth. After her husband died, she went with her mother-in-law to her mother-in-law’s home land. Being poor, she gathered grain the reapers left in the fields of a wealthy farmer. He fell for Ruth and told the reapers to leave more behind for her than they normally would have. There’s even a shoe involved in this story.

The story of Esther is that of a maiden who marries a king.

David has a Cinderella-like story. Of his brothers, he was considered the most unlikely person to become king, but upon the direction of God, Samuel anointed him to be the king who would replace Saul.

And what about every gentile who has ever been saved by the grace of God? We were no better than dogs, but we have been made kings and priests. So, is there a Cinderella story in the Bible? Absolutely.

http://www.preachology.com/cinderella-salvation.html

CINDERELLA SALVATION

by Charles Robey
(Trussville AL)

In Luke 15:1-7, we find Jesus telling the parable of the Lost Sheep. Jesus asks, “What man upon you would not leave ninety-nine sheep, in the open pasture, and go search for the one sheep that was lost?” Like the lost wearer of the Golden Slipper, Jesus emphasizes the lost state of man.

As the Kingdom Prince had faith that he would find eternal peace, by finding his new found love, through the perfect fit of the glass slipper, so also may mankind, by way of faith, have eternal peace through God’s redemptive power.

“For by grace you have been saved through faith; and that not of yourselves, it is the gift of God; not as a result of works, that no one should boast.” (Ephesians 2:8-9)

I found this one particularly interesting: Bear in mind that El e.g. Elle or Ella or Ellie/y goes back to the Mother Goddess Lalita in ‘Hinduism’ but has become masculanized in the later Abrahamic religions.

http://www.parowanprophet.com/Great_Seal/cinderella.htm

Cinderalla, The Story of Redemption.

Cinderella -Who are you? John Bull
Where are you? March 2001 East
The story is Centuries old. Tribes # 3

Hosea 1:10 “Yet the number of the children of Israel shall be as the sand of the sea, which cannot be measured nor numbered; and it shall come to pass, that in the place where it was said unto them, (USA & world) Ye are not my people, there it shall be said unto them, Ye are the sons of the living God.” The Jews are no longer his people.

Matthew 21; 43 “Therefore say I unto you, (Jews) The kingdom of God shall be taken from you, and given to a nation bringing forth the fruits thereof.” (USA)

This will be about Cinderella, and who the Prince will choose. If you want to learn, then you will have to un-learn all of your traditions.
You go to College to learn. And to do well you have to study.

“Study to shew thyself approved unto God, a workman that needeth not to be ashamed, rightly dividing the word of truth.” 2 Timothy 2:15

Some people are: “Ever learning, and never able to come to the knowledge of the truth.”
2 Timothy 3:7

The ‘Signs’ are here now, and it is Midnight for Cinderella! And tomorrow God is really going to clean house. CLICK HERE to see the “Signs.”

You have been asleep just like the 10 virgins waiting for the bridegroom in Matthew Chapter 25 When the Prince comes will your foot fit into the slipper. Like Cinderella’s did?

Because you’re wise, now we will talk about Cinderella. (Don’t laugh because I said you are wise.

You are smart enough to read here, when others just scoff at me like 2 Peter 3:3 said would happen.)

There really is a Prince coming, (Matthew 25) and there will be a wedding, with the Bride of Christ. Some people think that the bride is the church, but they are asleep. The Prince of Peace (Isaiah 9:6) is coming for Israel. (Not the Jews, or the church, but true Israel!) CLICK HERE to learn of Israel.

As the story goes, Ella’s mother had died and her father had remarried a woman with two daughters, and then had to go away on a long journey. While he was gone, bad things happened.

Jesus spoke of it in Matthew 25:14-15, 28-34

Ella was treated as a servant girl in her own house. You will remember that Israel was the servant to Pharaoh in Egypt. She had to clean the fireplace and carry out all the ashes from the fires. They gave her the name that fit her “Cinder-Ella.” Because of the cinders in her hair and clothes.

Remember that before her father had left on his trip he asked what each person wanted him to bring back, as a gift for each of them.

The two stepdaughters asked for dresses, pearls, jewels. Ella asked for a ‘branch’ that she could plant to remember, and so honor her mother.

(“Zion” God even calls a city after her honor, the city of Zion. Just as we do naming Susanville, Marysvale, Virginia City, and a thousand other cities with women’s names in honor of them.

Even in our time “trees” are planted in the remembrance of people who have died.)

Ezekiel 31 speaks of ‘trees’ as people, and nations. And the ‘trees’ in Eden, or Eden people.

Isaiah 10: 12-20 speaks of the ‘fruit’ of the king of Assyria. And the axe and the saw,
and ‘trees’ of his forest shall be few. Eve got some bad, ‘fruit’ from the ‘tree’ in Eden.

The story of Cinderella portrays her plainly as the bride of Christ.

No other people than Israel who was cast off, and migrated into the North countries, as your European ancestors did sit by the fireplace to warm themselves and cook. Today we all like to cuddle up in front of a good fire. There we watch cinders go up the chimney.

Just like Ella did. And wait for Jesus Christ,

The Prince, The King, to come save us.

The expression comes from “Cinderella’s lost glass slipper.” Remember when she fled the grand ball, (dance) the Prince chased her and she lost her glass slipper. So why was it “glass”, instead of pretty red shoes that most women want.

The Prince searched the realm for the maiden whose foot fit into the “glass” slipper. The only foot that did fit was Cinderella. When she put it on, and the fit was perfect, she pulled the other “glass” slipper out of her pocket and put it on to have the matched pair on her feet.

Revelation tell us why they were “glass” slippers. Now can you get revelation about it?
I will quote it for you: “Revelation 4: 6 And before the throne there was a sea of “glass” like unto crystal: and in the midst of the throne, and round about the throne, were four beasts full of eyes before and behind. [My comment: the so-called ultimate ‘gods’ of post-Vedic Hinduism have been described and depicted as part of the throne of Lalita as they are nothing but workers (traitors) beneath her in hierarchy. The image is also used in Freemasonry:

Which is exactly how this writer describes the Wicked Stepmother and step-sisters; remember the Scarlet woman in never a good thing in the bible but it has been twisted from older cultures where they were priestesses (and not prostitutes).]

Cinderella’s all over the world wait for the Prince. Everyone will wear soot and ashes before the wedding.    You can read all about it on my other pages.    Nuclear War Comes.

Cinderella’s all over the world wait for the Prince. Everyone will wear soot and ashes before the wedding. You can read all about it on my other pages… There is a lot more to tell you about Cinderella in the future. If you can live to see, the morning come. Don’t be late, or be sorry. If the blind are leading you, then your headed for the ditch.

What about when the Prince is a masculanized version of the Princess/Daughter? Just as most of the male avatars have been.

Her glass slippers remind me of Dorothy’s original Silver slippers (also representing diamond, crystal, glass) turned Ruby Red (lesser class) for the film and obviously since I’ve learned that Cinderella’s were also Gold (Grimm’s version).

And why does Cinderella (like the book ‘Pamela: Or Virtue Rewarded’ (1740) by Samuel Richardson) always have to be accepted by a ‘prince’/’saviour’ figure. Reminds me of Julia Roberts and Richard Gere in ‘Pretty Woman’ (1990) where they show prostitutes are people too, are raped and need to be saved; and then together again they starred in ‘Runaway Bride’ (1999) about a woman who just can’t bring herself to get married until she meets a man determined enough to save/marry her.

I prefer the versions of Cinderella where she does the saving like in ‘Ever After: A Cinderella Story’ (1998) starring Drew Barrymore.
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NOT NO CINDERELLA ANYMORE

Since 2013 when we broke away from a masonic situation (e.g. a recruitment agent who would call me as soon as I got back from holiday leave abroad even though I wouldn’t tell her my flight times, but schedule going back to work a day or two after yet she’d still call me as soon as I got back to a UK airport) we were followed and re-conctact and reinforcement programming/gang stalking continued (e.g. the day after we moved into a new place there were footsteps all around the property in the snow, especially around the windows and up and down the garden alongside what looked like a the prints of a machine and a message on the window. No one else had any footprints around there properties and from the looks of the road the person(s) came straight to ours. There’s tons of incidents like that).

The book described below is 17 years old but many if the techniques are still the same, the information people are lacking is about Virtual Reality which is where this book ends. Everything else I knew in the book already, the author writes about these things happening to children but it can happen to adults too though it usually starts and can continue into adulthood. Most recently I’ve been particularly reminded of being made close to someone and them deliberately betraying you, expect you to forgive them, cause confusion and then want you to act as if nothing happened/even be dependent on them and taking credit if you manage to get through the experience.

https://www.bibliotecapleyades.net/sociopolitica/breakingthechain/contents.htm

The author is spot on when they say it takes years of programming (and indeed times in a persons life where at the end of a cycle it needs to be renewed) and hence can take years of therapy with someone used to such situations to try to heal.

Next Post:
Feast of the Beast – Bride/Sacrifice of the beast, rescued.

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Hidden Figures (2016) – One Giant Leap for Women (‘Coloured’) One Small Step for Womenkind

What a film!

Award worthy indeed, I absolutely love the way US folk manage to include pathos in drama where one moment your heartfelt swept up in the moment and the next laughing with joy, but seriously lay off the cheese. That said for a patriotic movie (against the Russians of course) it did well in showing US failures both in ethics and the space race whilst portraying the 60’s attitudes and work ethics in a way that is comparable today.

In a way it reminded me of one of my favourite films 9 to 5 (1980) but with mathematics and Sheldon from The Big Bang Theory, who unfortunately still played Sheldon but toned down and kudos to ‘him’ for playing no:2 instead of no:1 in the genius stakes. Kevin Costner was pretty damned apt at playing someone open minded enough to realize that to be the best (or at least ruthless) you have to at the very least pretend to push aside prejudice but at the same time a person who doesn’t see what’s in front of his face until it’s heavily pointed out. Kirsten Dunst did well as a woman forced to respect other women. The leading ladies were brilliant, of course, an absolute delight to watch and I couldn’t stop smiling every time I saw them (regardless of my severe discomfort due to ‘illness’). I really wanted to see and understand the equations better but I did enjoy knowing how to fix the flaws in their basic explanations e.g. the heat shield and the change in elliptical path. I did love the fact that they reverted to ‘ancient’ mathematics for ‘Atlas’ i.e. remembering the lessons of the forbears rather than needing or thinking they were inventing new theories.

It did make me wonder if/why there weren’t any Mexican, South American or other ‘ethnic’ (hate that word, White and Eurasian people are ethnic too) races involved or just Black vs White (though interestingly Black people were referred to as Browns vs Virginia [state]).

I always dislike seeing/knowing just how much it takes one person to go through to make any kind of change let alone wide ranging changes and then those individuals have to push others ahead as well considerately and sometimes to the individual’s own detriment to build enough confidence in a group to support them. Otherwise they’re practically left outside alone (as a minority or even worse, an extremist) and social change then takes forever. For all the hardship the women faced in the film and indeed also deference and respect from their male peers (which was strange to see) we haven’t come far as a society and in the end I was left thinking – great we made it into space and we can’t even solve out domestic problems, technologically forwards and socially backwards, what a way to spread our problems to the rest of the solar system and galaxy… And who knows where else.

I think NASA could’ve been portrayed a lot worse than they were (and the poster boy astronaut was particularly sickening but at least he had faith in our first amongst equals leading lady or ‘computer’ as she and those like her were known) but the film had to be funny to make it more palatable not only as a meta-nonfiction story but to the inclusive audience watching; teenage and adult women and men of all colours.


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Moving on, some snaps of what I was wearing:

9 to 5 (1980) (featuring another Dolly 😉 and I love it when Lily i.e. ‘Violet’ demands a little dignity and respect! How much do you have to go through just to be treated with the same basic rights as everybody else!?)

P.S – both Hidden Figures and 9 to 5 feature awesome period fashion hence the addition of my photos and a non-in depth review (though I’m far too tired for more detail).

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Retrospective Post of the Month – Dream Lovers, Voice Lovers, Vision Lovers; Ultra-terrestrial/Tech, Extra-terrestrial/Tech, Human Upgraded/Tech or a mix?

Once upon a time I had a dream, a typical yet strange masonic dream if that makes sense. It was a message but with a few tell tale clues that told me it wasn’t real i.e. the type of dream a lot of people mistake for past life dreams or prophecy. It was happening in real time and virtual ‘spiritual’. Just to make things clear, I don’t have to go into REM to dream, I haven’t in a very long time, I can just close my eyes, drift a little and straight away I’m dreaming and I can have a continuous dream all night even if I wake up (sometimes continually) in between.

I was in an ancient Egyptian style temple which looked a lot like a scene from Jupiter Ascending (2015) except there were giant pillars.

jupiter-ascending

Apparently I lived there and there was currently trouble in paradise. An old man/middle aged White bald/ing guy took me round the waist and escorted me outside telling me he had to leave but “he will look after you” – a ‘man’ in a room near my bed chamber. Someone who’d worked for him? A bodyguard. A ethereal being. Tall, White, dark haired, transparent.

I remember rushing to a library in Maine, US and recalling or thinking about the Library of Alexandria and knowing that there were two sites, not one as many people think and yes there was a temple nearby.

Basically this is not the first time someone has shown me an ‘other’ – a tall, White, dark haired, good looking ‘man’ who is after me and trying to get me to another level, whether he’s scaring/hunting me to push me there or trying another angle. But put it this way I’m nobody’s bait and I don’t have a ‘lost husband’ as some have tried to convince me of.
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I’ve come across the work of Eve Lorgen (one of six researchers, 4 of whom died/met terrible ends) regarding ‘Love Bites’ i.e. relationships engineered/messed around with by ‘others’ either between humans or humans and ‘others’ and her interviews are very detailed. They explain numerous scenarios, false promises, cloning, dual consciousness etc.

Now let’s take a look at the popular media, especially those from Monarch style programming:

Mariah Carey’s (the lady obsessed with Butterflies, not the only star in Hollywood with that obsession; and now unicorns are dominating that hell hole) Dream Lover; lyrics:

I need a lover to give me
The kind of love
That will last always
I need somebody uplifting
To take me away

I want a lover who knows me
Who understands how I feel inside
Someone to comfort and hold me
Through the long lonely nights
‘Till the dawn
Why don’t you take me away

[Chorus:]
Dreamlover come rescue me
Take me up take me down
Take me anywhere you want to baby now
I need you so desperately
Won’t you please come around
‘Cause I wanna share forever with you baby

I don’t want another pretender
To disillusion me one more time
Whispering words of forever
Playing with my mind

I need someone to hold on to
The kind of love that won’t fly away
I just want someone to belong to
Everyday
Of my life
Always
So come and take me away

[Chorus]

Mariah Carey – Fantasy

Fairground = confusion – she’s by herself skating and on a rollercoaster alone instead of with friends – the sad clown and then the party – with her trademark bunch of “black dudes dancing [in a field]” (aka as in Dream Lover). Mariah’s videos aren’t as telling of ‘code’ and certainly not in comparison to modern videos/award shows etc, hers have always been very focused on her moving around a little and looking attractive.

However when we move on to…

http://vigilantcitizen.com/musicbusiness/beyonces-sweet-dreams-occult-mind-control/

Beyonce’s “Sweet Dreams” Video is About Occult Mind Control
September 17, 2009

Beyonce’s “Sweet Dreams” video is viewed by most people as being merely  “sexy” or “fashion” but not many get its occult meaning. Hidden in the symbolism of the video and in the song’s lyrics are references to dark themes: possession and mind control.

If you read my other article on Beyonce called “Beyonce to Sasha Fierce – Occult Symbolic Rebirth“, you’ll already be aware of the dark symbolism surrounding Sasha Fierce. “Sweet Dreams” is a perfect continuation of the dark themes surrounding Beyonce’s alter-ego: dark occultism, mind control, spirit possession, etc. The lyrics of the song and the imagery of the video have a supernatural and ethereal quality, as Beyonce professes her love to someone or something she calls a “sweet dream or a beautiful nightmare”.

Essential Information

So what is this song about? Love? Yes. Love of her mind controlled state and of her controller. Pretty disturbing. What is mind control? It is a technique developed by the CIA to literally control a subject’s mind (google MK Ultra for more info). “Monarch Programming” uses extreme treatments (such as electroshock) to cause a major trauma in the victims psyche. Ron Patton describes the main precepts of“Monarch Programming” here:

Definition and Description
“The name MONARCH is not necessarily defined within the context of royal nobility, but rather refers to the monarch butterfly. When a person is undergoing trauma induced by electroshock, a feeling of light-headedness is evidenced; as if one is floating or fluttering like a butterfly. There is also a symbolic representation pertaining to the transformation or metamorphosis of this beautiful insect: from a caterpillar to a cocoon (dormancy, inactivity ), to a butterfly (new creation) which will return to its point of origin. Such is the migratory pattern that makes this species unique. Occultic symbolism may give additional insight into the true meaning. Psyche is the word for both “soul” and “butterfly” coming from the belief that human souls become butterflies while searching for a new reincarnation. Some ancient mystical groups, such as the Gnostics, saw the butterfly as a symbol of corrupt flesh. The “Angel of Death” (remember Mengele?) in Gnostic art works was portrayed crushing the butterfly. A marionette is a puppet that is attached to strings and is controlled by the puppet master, hence MONARCH programming is also referred to as the “Marionette Syndrome.” “Imperial Conditioning” is another term used, while some mental health therapists know it as “Conditioned Stimulus Response Sequences.” Project MONARCH could be best described as a form of structured dissociation and occultic integration, carried out in order to compartmentalize the mind into multiple personalities within a systematic framework. During this process, a Satanic ritual, usually including Cabalistic mysticism, is performed with the purpose of attaching a particular demon or group of demons to the corresponding alter(s). Of course, most skeptics would view this as simply a means to enhance trauma within the victim,  negating any irrational belief that demonic possession actually occurs.”

Alters and Triggers
Another way of examining this convoluted victimization of body and soul is by looking at it as a complex computer program: A file (alter) is created through trauma, repetition and reinforcement. In order to activate (trigger) the file, a specific access code or password (cue or command) is required. The victim/survivor is called a “slave” by the  programmer/handler, who in turn is perceived as “master” or “god.” About 75% are female, since they possess a higher tolerance for pain and tend to dissociate easier than males. Subjects are used mainly for cover operations, prostitution and p*********y; involvement in the entertainment industry is notable.  A former military officer connected to the DIA, told this writer, “In the ‘big picture’ these people [MONARCH victims] are in all walks of life, from the bum on the street to the white-collar guy”. In corroboration, a retired CIA agent vaguely discussed the use of such personnel to be used as “plants” or “chameleons” for the purpose of infiltrating a designated group, gathering information and/or injecting an ulterior agenda. There are an inordinate amount of alters in the victim/survivor with numerous back-up programs, mirrors and shadows. A division of light-side (good) and dark-side (bad) alters are interwoven in the mind and rotate on an axis. One of the main internal structures, (of which their are many) within the system is shaped like a double-helix, consisting of seven levels. Each system has an internal programmer which oversees the “gatekeeper” (demons?) who grant or deny entry into the different rooms. A few of the internal images predominately seen by victims/survivors are trees, the Cabalistic “Tree of Life,” with adjoining root systems, infinity loops, ancient symbols and letters, spider webs, mirrors or glass shattering, masks, castles, mazes, demons/monsters/aliens, sea shells, butterflies, snakes, ribbons, bows, flowers, hour glasses, clocks, robots, chain-of-command diagrams and/or schematics of computer circuitry boards. Source: http://www.whale.to/b/patton.html

MK Ultra Victim (1961)

MK Ultra Victim (1961)

[My comment: this is an excerpt I've added, it's not part of Vigilant Citizen's article.]

[My comment: this is an excerpt I’ve added, it’s not part of Vigilant Citizen’s article.]

OK, this heavy stuff but there are some important points to note which are directly related to “Sweet Dreams”:

1. Monarch treatment gives a feeling of “light-headeness, as if one is floating”
2. It engenders a new creation, an alternate personality
3. The victim sees his controller as “god”
4. Dark occult rituals are involved in the process
5. Symbols relating to Monarch programming involve mirrors, glass shattering, rainbows, robots and more.

I’m guessing that you’re starting to see where I’m going with this. All of these things are represented in Beyonce’s 4 minute video. How much can one honestly attribute to coincidence? The truth is: “Sweet Dreams” is a metaphor for mind control, Monarch Programming to be precise, and Beyonce sings from the point of view of the programmed slave.

Song Analysis

“Every night I rush to my bed With hopes that maybe I’ll get a chance to see you When I close my eyes I’m going out of my head Lost in a fairytale, can you hold my hands and be my guide?”

Beyonce is looking forward to “going out of her head” and getting “lost in a fairytale“. She is asking her controller to “hold her hand and be her guide“. The state of a mind controlled slave is often compared to a fairytale (they are said to be shown movies such as The Wizard of Oz). The controller will be her guide in the treatments.

“Clouds filled with stars cover the skies And I hope it rains, you’re the perfect lullaby What kinda dream is this?”

There is a real sense of a hazy state of mind. Beyonce says to her controller, who is causing in her this mental state, “you’re the perfect lullaby”.

“You could be a sweet dream or a beautiful nightmare Either way I don’t wanna wake up from you (Turn the lights on) Sweet dream or a beautiful nightmare Somebody pinch me, your love’s too good to be true (Turn the lights on)”

So this state of mind control can be a sweet dream, which is a blissful state where the boundaries between reality and fiction are blurred. It can also be a nightmare due to the traumatizing treatments, the mental anguish and the fact that being a Monarch slave is probably the worst thing that can happen to anyone.  Sweet dream/Beautiful Nightmare also describes the dichotomy between Beyonce and her dark alter-ego Sasha Fierce. As Patton stated in his discussion of mind control:

“A division of light-side (good) and dark-side (bad) alters are interwoven in the mind and rotate on an axis.” -Ibid.

“My guilty pleasure, I ain’t going no where Baby long as you’re here I’ll be floating on air”

“My guilty pleasure” refers to the fact that she knows that this state of synthetic bliss is false and ultimately harmful to her. But as long as her controller is there, she’ll be “floating on air”. This is especially significant when one knows that subjects of Monarch programming get a feeling of light-headeness, as if they’re floating.

“I mention you when I say my prayers I wrap you around all of my thoughts Boy you’re my temporary high”

There is here a mix of the “scientific” mind programming with the occult ritualistic aspect of it. The “controller” is often interchanged with Lucifer and “mind control” can be interchanged with spirit possession. As Ron Patton stated, ancient occult knowledge, rituals and magick are incorporated in the programming of the subject. The person sees the controller as a god, or Lucifer, who possesses his/her soul and thoughts. Beyonce says she mentions the name of her controller (or Lucifer) when she says her prayers.  She wraps her controller around all of her thoughts which is a nice way of saying that the possessor is in control of her thoughts.

“Tattoo your name across my heart so it will remain Not even death can make us part What kind of dream is this?”

She is basically saying that she gave her soul to her controller aka Lucifer. “Not even death can make us part“, conveys an obvious spiritual meaning. The only thing that remains of us after death is our soul. She says that even after death, her soul will still be owned by her possessor. As in all works of art, the lyrics could be interpreted in numerous ways. The video however confirms the mind control theme of the song by visually representing the steps, the symbols and even many “triggers” associated with Monarch programming.

Video Analysis

So what is the message of the video? Yes, I know Beyonce is “hawt”. Now that we got that out of the way, we can look past her hawtness…There’s way more to that video than hypnotic robot breasts. The video starts with Beyonce sleeping to a creepy lullaby tune. A dove appears and levitates Beyonce from her bed while the lullaby gets increasingly menacing. This scene ends with a scream of terror.

beyonce-sweet-dreams

In Christian symbolism, the dove represents the Holy Spirit. There’s however nothing “holy” about that scene. The scene is dark, the music is ominous, Beyonce is troubled and she gets lifted in what looks like a feat of black magick. To find the true meaning of that dove, one has to go into its occult meaning.

“Helena Blavatsky, an occultist, Luciferian, magician, Mason, and founder of the Theosophical Society, along with Masonic author Albert Pike, in their writings of this belief, that Lucifer is the holy spirit. Pike, referred to the Holy Ghost, when he wrote, “the body of the Holy Spirit, the universal Agent, [is] the Serpent…”

The Holy Spirit of Occult Orders, the liaison between the earth realm and the heavens, is Lucifer. This is graphically represented on the lamen of the Luciferian fraternity Ordo Templi Orientis.

Ordu Templi Orientis

Lamen [My comment: lamentation] of the O.T.O. Upside dove = Fall of Lucifer?

So in the first scene of the video, we see Lucifer lifting Beyonce from her bed and sending her to a kind of weird heaven. As stated above, the song is at the same time about Lucifer and Beyonce’s mind controller. So the dove also represents the controller making Beyonce feel light-headed from Monarch programming. Beyonce is sent into an “alternate world” with an omnipresent rainbow, a symbol associated with Monarch programming. We often see in the video multiple Beyonce’s colliding into one or the opposite, which represent her alters or minions. If you look closely at the backup dancers in one particular scene, they are literally broken in half, as if they are not activated.

beyonce-sweet-dreams-2

Notice the rainbow, the importance of the light source (Lucifer = god of Light)…And is this a pale horse running in the background?

In this symbolic scene, Beyonce is in a mirror room, not knowing who the “real Beyonce” is. This scene refers to the dissociative nature of mind control, not to mention that mirrors are an all-important symbol of Monarch Programming.

Mirror reflections symbolism

Mirror reflections symbolism

She then shatters a mirror and fragments fly all over the place, which represents the fragmentation and compartmentalization of her consciousness, an important prerequisite in order to create a new alternate personality in Monarch programming. Then it happens. The shiny new robot Beyonce, the new programmed alternate personality is born.

[My comment: Beyonce is a major proponent of transhumanism from the Metropolis (1927)film in her videos and performances] New controlled Beyonce trying in vain to get back the fragments of her consciousness

[My comment: Beyonce is a major proponent of transhumanism from the Metropolis (1927)film in her videos and performances]
New controlled Beyonce trying in vain to get back the fragments of her consciousness

In Conclusion

Beyonce’s “Sweet Dreams” describes the blissful journey of a mind control subject towards its new persona. Even if that process is insanely painful and nightmarish, the subject is programmed to enjoy it, hence the phrase “either way, I don’t want to wake up from you“. Numerous symbols and mind control triggers are included in the video and, combined with the dissociative lyrics, the song leaves no doubt to those “in the know” of its occult meaning. Why are there allusions to Lucifer and mind control in the video and many others? What’s the purpose of it? Is it supposed to have an effect on the viewers? Are these types of videos megarituals acting on the subconscious of music fans? Are they preparing (programming) the new generation to accept those things as a reality? Those are questions I’m still attempting to answer. One thing is for sure: when one realizes that Beyonce’s incredible beauty and talent are used to promote such horrors, the video becomes indeed a “beautiful nightmare”.

ON THE FLIPSIDE INSTEAD OF “HUSH LITTLE BABY [DON’T YOU CRY]” (lullaby):

What happens when you make a real dream connection and it works? It works by itself – even without/continues without the tech/virtual reality/cgi and ‘others’? Better than an arranged match? And then arranged matches get in the way of the two people who found each other?

You get re-named, they try to give or even make you into an alter-ego; here’s some of the things I’ve been called (some by ‘people’ who compare themselves to the tv show characters from ‘Mad Men’):
Venus.
Various Goddess names.
Elenor King.
Joseph of Arimathea.
Delilah.
Queen of Sheba.
Runt.
Cybernetic (told me to look this up in a legal dictionary).
Hybrid.
Psychotronic whore.
Mad Max (Max from Dark Angel).
Mollusc.
Hamlet.
Heaven.
Helen of Troy.
Panther.
Samead.
Sham of a Lamb.
Blacksmith.
Archer.
Hammer.
Songs from Sleeping Beauty.
Hound/Bull dog (tenacity).
Susie Q (not sure what that was about but when I read about the woman who was used in the US-Iraq situation where she said Iraq wasn’t responsible/weren’t doing the things the US claimed, the group here didn’t like it.)
Ventriloquest’s dummy.
Juggonaut (idol of Krishna – perhaps a double meaning though).
Constant references to wine – even “you’re not White wine” (and Dionysus – god of wine and madness), also one day “we broke bread for you” and constant bread references, but mostly fish and chicken & egg words Ugly duckling.
Weirdest of the bunch.
Pick of the litter.
Not the best, not the worst. The Best and the Worst.
Mona Lisa.
Barbie.
Nun.
Avatar.

Well here’s possible answers to Love Bites and programming:

The Ting Tings – That’s Not My Name:

Rogue Traders – Voodoo Child:

But this is more my style:

Rogue Traders – Watching You:

And this is my message:

ROGUE TRADERS – I NEVER LIKED YOU:

————————————————————————————————————————————-

TODAY IS:

International STAND UP to Bullying Day takes place on February 24, 2017. This day is a special semi-annual event in which participants sign and wear a pink shirt to take a visible, public stance against bullying. The color of the shirts is based on a campaign started by Travis Price and David Shepherd, two students who took a stand for a fellow student who was bullied for wearing a pink shirt to school. International STAND UP to Bullying Day takes place in schools, workplaces, and organizations in 25 countries across the globe on the third Friday of November to coincide with Anti-bullying week, and then again on the last Friday of February. The day was first observed in February 2008. – With text from Wikipedia

AND (the dragon and the lady):

Dragobete is a traditional Romanian holiday observed on February 24, 2017. Baba Dochia also known as The Old Dokia is a spring related figure of Romanian myth and her son called Dragomir is honored and celebrated on Dragobete. It is the time to release mankind’s patience because they both stand for the return of the spring season each year and as a sign that people have overcome winter time.
Modern observations of Dragobete are comparable to St Valentine’s Day with various local customs in Romania in Southeast Europe. When birds start to become very lively again on Dragobete lovers have a day on their own to celebrate love and spring. The Romanian used to say “Dragobete kisses the girls” meaning that this is a perfect day to receive first kisses. – With text from Wikipedia.

[My comment: Don’t kiss any reptiles people! They thirst for more and never go away!]

I was going to write this post on 4th February 2017 which was:

Rosa Parks Day:
USA National Day but deserving of International Status:
Rosa Parks Day is observed on February 04, 2017. It is an American holiday celebrated on February 4 or December 1 in honor of the civil rights leader Rosa Parks. Rosa Parks Day was created by the California State Legislature and first celebrated February 4, 2000. The holiday was first designated in the U.S. state of Ohio championed by Joyce Beatty, advocate who helped Ohio’s legislation pass to honor the late leader. Rosa Parks, also known as “the first lady of civil rights” spurred the Montgomery boycott in 1955 as she refused to give up her seat in a bus to a white passenger. With text from Wikipedia.

AND

Create a Vacuum Day
There is something to do on February, 04 2017 as it is Create a Vacuum Day. It can be a real challenge to create a true vacuum and without technical equipment it is unmanageable on earth. A vacuum accrues with the total absence of any kind of material, including air. The origin of Create a Vacuum Day is not documented but the options to take part in it are numerous.

Everyone can live out or discover the joy of applied physics and meet to create a vacuum – all you need is power. Syringes or vacuum blowers can at least create a space very similar to a vacuum. The perfect vacuum, which is sadly out of reach for the most people is the universe, so if you are not able to create your own vacuum, take a look at the sky and imagine how it might feel like to feel absolutely weightless because there is truly nothing around. – With text from Wikipedia.

I was really disappointed with ‘Create a Vacuum Day’ since there’s no way I could make one – makeshift insulated rooms, electromagnetic shielding – faraday cages, carbon Black, insulating fabrics, frequency disrupter/layers/neutralizing, light/sound patterns etc are one thing but in competition with constantly improving tech what can you do? But then I thought of these:

https://en.wikipedia.org/wiki/Anechoic_chamber

I hadn’t realized that they’re being updated to include all radio frequency/wi-fi/radiation – basically all invasion possible as well as blocking out just the stuff you don’t want and concentrate on the ones you do.

Just gimme one of these for a few months and I’m sure my body would heal completely but it’d probably take a year for my mind to probably heal. Most people can’t stand silence, real silence and I can understand that – because there is no silence, you hear your body at full blast – your heart beat from different points in your body, your blood moving, noises in your ears, your breath etc hence you have to shut your thoughts off to make it through. It’s only for those who like true solitude/comfortable with themselves – like those people who train in mediation/martial arts sitting under/near waterfalls with so much noise that it blocks the outside world and helps them concentrate. The rushing water/external noise allows them to practise blocking out such interference and focus on themselves. Stillness and silence = total rest.

radio-frequency-anechoic-chamber

Radio frequency anechoic chamber, Antennas Research Group, Democritus University of Thrace, Greece. The interior surfaces are covered with pyramidal Radiation Absorbent Material (RAM) which are made of rubberized foam filled with mixtures of carbon and iron.

U.S. Air Force photo by Samuel King Jr./Released - https://www.flickr.com/photos/usairforce/15710179866/ A 40th Flight Test Squadron F-16 Fighting Falcon sits in the anechoic chamber after completion of the initial round of testing simulations on the new M-7 software upgrade Oct. 30, 2014, at Eglin Air Force Base, Fla. The M-7 software package will provide multiple advanced capabilities to the aircraft. The anechoic chamber is a room designed to stop reflections of either sound or electromagnetic waves. The room is insulated from exterior sources of noise. The room is part of a facility that allows testing of air-to-air and air-to-surface munitions and electronics systems on full-scale aircraft and land vehicles prior to open-air testing. (U.S. Air Force photo/Samuel King Jr.)

U.S. Air Force photo by Samuel King Jr./Released – https://www.flickr.com/photos/usairforce/15710179866/
A 40th Flight Test Squadron F-16 Fighting Falcon sits in the anechoic chamber after completion of the initial round of testing simulations on the new M-7 software upgrade Oct. 30, 2014, at Eglin Air Force Base, Fla. The M-7 software package will provide multiple advanced capabilities to the aircraft. The anechoic chamber is a room designed to stop reflections of either sound or electromagnetic waves. The room is insulated from exterior sources of noise. The room is part of a facility that allows testing of air-to-air and air-to-surface munitions and electronics systems on full-scale aircraft and land vehicles prior to open-air testing. (U.S. Air Force photo/Samuel King Jr.)

Here’s a film that incorporates activism and sensory deprivation; it affected me greatly at a young age and I still feel it – major respect to Helen Keller and her teacher Anne Sullivan

The Miracle Worker (1962)

Gallery

What not to look forward to on Valentine’s Day

Today is ‘International Puzzle Day’ (yes I try to do a jigsaw and a wordsearch at least, every day) but here’s a good puzzle – why do people find vampires appealing? Physical, emotional and psychic?

Here’s an example of a very common type of human vampire that the media have always pedaled as attractive (much like Rhett Butler’s rape of his wife and her apparently liking it the next day in one of the most popular films of all time, ‘Golden Hollywood”s Gone with the Wind (1939) – and yes it was ‘legal’ to rape your wife in the UK up until 25 years ago and still is in many parts of the world – and the gang rape in Saturday Night Fever (1997)) and people just eat it up. Buying into this just keeps the abuse going.

Apparently the first book was so badly written it was a wonder as to why it became a bestseller and neither the book/film did anything for connoisseurs of S&M actually annoying and insulting many and yes even anti-feminists agreed. So why the follow-up and why on V-Day? What type of gift is that? “Me caveman, you woman, here come and let me beat you then rape you and make you say you wanted it.” Yeah… No thanks, and die while you’re at it.

And Fifty Shades Darker? Excuse me, darker? Who would fall for that ‘man’ unless under hypnotism/coercion? How is it romantic to watch this? At least in Pretty Woman (1990) (a film I didn’t like and couldn’t see the point in its popularity other that it was a typical boy/girl from different sides meet story) they showed that prostitutes get raped and are human with interests/hobbies instead of glamorizing it. Sidenote – Julia Roberts has done a lot of great feminist films, one in this category being Sleeping with the Enemy (1991).

national-center-on-sexual-exploitation-campaign-fifty-shades-of-grey-abuse

My comment: See how they’ve made her look sultry instead of manipulated?

national-center-on-sexual-exploitation-campaign-fifty-shades-of-grey-abuse

https://www.thunderclap.it/projects/52480-fifty-shades-darker-is-abuse
and
http://endsexualexploitation.org/fiftyshadesgrey/

Organizer:
National Center on Sexual Exploitation
@ncose

The #FiftyShadesIsAbuse campaign is a global campaign led by London Abused Women’s Centre, Canada, Collective Shout, Australia, and Culture Reframed and The National Center on Sexual Exploitation (NCOSE) and joined by many other groups around the world.

Hollywood is portraying the Fifty Shades trilogy as a risqué, passionate romance. The second film in the Fifty Shades franchise, Fifty Shades Darker, is set to be released on Valentine’s Day. But is this a love story?

Christian Grey, the male lead, exhibits the traits of an abuser through possessive, manipulative, and coercive behaviors, including frequent stalking. Having introduced a younger, inexperienced college girl to the world of sadomasochistic sexual abuse in the first film, in 50 Shades Darker Christian becomes obsessed with his latest sexual submissive and proposes marriage.

As in the first film, Anastasia Steele, his “lover,” is consistently isolated, threatened, and manipulated, yet she comes back to Christian and agrees to marry him because she thinks her love can change him. As the story progresses, Ana, who was first fearful and disturbed by Christian’s dark and violent sexual practices, gradually comes to desire rough sex.

The 50 Shades series is permeated with graphic scenes of sex and sexual abuse. Its lead male character exhibits classic hallmarks of an abuser, and yet Hollywood is portraying his relationship with Ana as a sexually titillating Cinderella story.

This movie, and the entire Fifty Shades franchise, glamorizes and legitimizes both sexual and domestic abuse. In real life, women in these situations don’t end up like Anastasia—they end up in a woman’s recovery agency, on the run from their abuser or, sometimes, dead.

Help take a stand against the normalization of abusive relationships and join our Thunderclap to schedule the social media post, “It’s time for Hollywood to stop sending the message that domestic abuse is sexy. #FiftyShadesIsAbuse” and visit FiftyShadesIsAbuse.com to find additional ways to get involved.

You can also donate $10, $25, $50 or whatever you can afford to help the women experiencing the real-life version of Christian and Ana’s abusive relationship. Donations can be made to any domestic violence agency in your area – share that you made a donation online with the hashtag #50DollarsNot50Shades so we can help promote it!

If you are in the United States you can find a list of women’s recovery agencies at DomesticShelters.org. There is even a “wish list” of specific items for which these organizations have need.

A trilogy of this rubbish? A Cinderella story? I’m not one for fairytales let alone their programming (and ‘loving’ psychotic handlers, waiting for princes and vampires are part of human culture/legend/history so Fifty Shades pays tribute to that) but I prefer modern takes on them like Brave (2012) and Malificent (2014) (sans Disney who were/are very much part of the problem and they’re begging the re-surging/upcoming Dark Mother planetary re-consciousness for forgiveness whilst acting innocent with Brave and Malificent).

And here are the ‘new’ vampires:

artificial intelligence robot laws

Gallery

Making the Unreal Real – Playing Games with Lives – Thieves Who Make Confusion Are Really The Monsters

What if you could engineer a situation where you take a ‘regular Joe/Jane’ or someone slightly ‘different’ and even better ‘alienated’ and turn them into whatever you wanted?

I watched this film when it came out with a friend of mine, it was the last movie we went to see before going our separate ways and I think it was me who chose to watch this one because it had the longest running time but by the end of it we realized we should have chosen a comedy.

Anyway I’m not going to review it but here’s some info from Wiki:

https://en.wikipedia.org/wiki/The_Cell

The Cell is a 2000 American science fiction psychological thriller film and the directorial debut of Tarsem Singh, starring Jennifer Lopez, Vince Vaughn and Vincent D’Onofrio. It received mixed reviews upon its release, with critics praising the visuals, direction, make-up, costumes and D’Onofrio’s performance, but commenting on the Silence of the Lambs-inspired plot, the emphasis on style rather than substance and the somewhat masochistic images.

Plot

Child psychologist Catherine Deane (Jennifer Lopez) is an expert in an experimental treatment for coma patients: a virtual reality device that allows her to enter into the minds of her patients and attempt to coax them into consciousness. When serial killer Carl Rudolph Stargher (Vincent D’Onofrio) falls into a coma before the FBI can locate his final victim, Agent Peter Novak (Vince Vaughn) persuades Deane to enter Stargher’s mind and discover the victim’s location.[1] Stargher’s victim is imprisoned in a cell in the form of a glass enclosure that is slowly filling with water by means of an automatic timer.

Deane enters Stargher’s twisted mind, where she is confronted by both the violent and the innocent parts of the killer’s psyche. The innocent half shows her the abuse he suffered at his father’s hands and the birth of his pathology when he drowned an injured bird as a mercy killing. Deane attempts to nurture the innocent side of Stargher’s mind, but his murderous half thwarts her at every turn.

Despite Deane’s best efforts, she becomes trapped in Stargher’s dark dreamscape. Novak volunteers to enter Stargher’s mind and attempts to rescue Deane. He frees her from Stargher’s hold and discovers clues to the whereabouts of his victim. Novak relates his revelations to his team and they are able to track down the location of Stargher’s victim (Stargher had been entrusted by a company to take care of an advanced water pump, which he used to fill the cell with water). Novak discovers Stargher’s secret underground room and saves Stargher’s victim just in time. Meanwhile, Deane decides to reverse the process and pull Stargher’s mind into her own. She presents Stargher’s innocent side with a paradise, but his murderous side is always present and manifests as a serpent. This time, however, Deane has all the power; she attacks the serpent/Stargher only to discover that she cannot destroy one half without killing the other. Stargher’s innocent side reminds her of the bird he drowned, and she kills him to put him out of his misery. She adopts Stargher’s dog and successfully uses her new technique on her other coma patient (Colton James).

Artistic influences

Some of the scenes in The Cell are inspired by works of art. A scene in which a horse is split into sections by falling glass panels was inspired by the works of British artist Damien Hirst. The film also includes scenes based on the work of other late 20th century artists, including Odd Nerdrum, H. R. Giger and the Brothers Quay. Tarsem—who began his career directing music videos such as En Vogue’s “Hold On” and R.E.M.’s “Losing My Religion”—drew upon such imagery for Stargher’s dream sequences. In particular, he was influenced by videos directed by Mark Romanek, such as “Closer” and “The Perfect Drug” by Nine Inch Nails, “Bedtime Story” by Madonna, and the many videos that Floria Sigismondi directed for Marilyn Manson. During a scene, Jennifer Lopez falls asleep watching a film; the film is Fantastic Planet.

This is not to justify anybody with such behaviours on either side i.e. the mind control/mind raping/soul destroying side of the ‘security surveillance’ nor the violent, inhumane psychopath they just happen to be following in the film – but just how far would ‘people’ would go to make someone into one ‘side’ or the other, why and how they’d get away with it. A bit like the film ‘Inception’ (2010).

Oh and btw looking up ‘cybernetic’, ‘psychotronic whore’, ‘mollusc’, ‘hybrid’, ‘drone’ and a whole load of other crap doesn’t apply to me, especially the ‘Myra Hindley’.

Note – I mentioned Fantastic Planet HERE titled ‘Who/What are the Blue Beings, why are we inspired by them? Although being a US film it could also conveniently be a dig at the former USSR, like the English and the French the ‘feud’ never ends.)

The Cell Jennifer Lopez Movie Film Symbolism

Hell in a cell i.e. invisible yet visible prison.

The Cell Jennifer Lopez Film Movie Symbolism

Her work clothes – one ‘body suit’ which…

The Cell Jennifer Lopez Film Movie Symbolism

… She conveniently changes for another and with a mask whilst in his mind – notice the placement of the lights (sun/star and pillars).

The Cell Jennifer Lopez Film Movie Symbolism

How very similar to the enemy. Looks is one thing, acting like these people (‘good’ or ‘bad’, or the fake ‘light’ or ‘dark’) is another – some people make great game/targets for ‘change’ to players.

The Cell Jennifer Lopez Film Movie Symbolism

He’s a bad bird now that needs killing (apparently mercifully) – and to do so the ‘good’ side go into the mind or as some could call it ‘the astral plane’ to do the job.

The Cell Jennifer Lopez Film Movie Symbolism

So it’s ok for her to play Mother Mary now (as well as the Red ‘whore’/’prostitute’ double meaning but with White for the ‘good’ ‘purity’ side.)

The Cell Jennifer Lopez Film Movie Symbolism

And then the Dark Mother (wannabe) with the Red and Black. (Note that Mary was never a Mother Goddess or even a Goddess.)

The Cell Jennifer Lopez Film Movie Symbolism

Black and White – both extremes, two sides of the same coin, both beautiful; unfortunately here she’s portrayed as a Goddess, even a Warrior Goddess as a rider. Both the violator (the security/watchers) and the violated (here the child was violated and became a violator) are metamorphosed.

The Cell Jennifer Lopez Film Movie Symbolism

Hmm, decide for yourselves.

There is a heck of a lot of symbolism (including religious) in this film which you can see from the pictures and it makes for a very gruesome metaphor, the film is practically a vehicle and anybody wanting to explain or interpret it could have a field day. Again I’m not going to bother right now (maybe later) but basically it shows in a subtle yet obvious way (subtle i.e. artistically and easy to dismiss for those not really looking and hidden in plain sight for those who ‘know’ or think they/we do) both ‘sides’ are one and the same ultimately (so you have to be careful if you’re in the middle and not affiliated lol). Just to point out the use of the serpent and the mercy killing of the bird were streamlined, initially in the film they seemed like ‘good’ and ‘bad’ but ultimately they can and were used together as one thing such as winged serpent beings or Caduceus, or in this case for transformation. An innocent is turned into a villain and taken out by super villains acting as good folk. It’s ironic, Mum and I once shared the same dream on the same night and we both had the same reaction, both involved the killing of an innocent bird and right afterwards three ‘interesting’ networks came along. It’d be more interesting however to look into the ‘history’ of the symbolic so-called cat people [or at least group of] being conquered by a group of serpentine people, I hesitate to call them reptile/reptilian since it’s getting more complicated nowadays with the ‘groupings’.

Gallery

‘The Legend of Korra’ – The Girl who merges the Unseen with the Seen

Roar – “I got the eye of the tiger, the fire, dancing through the fire, coz I am the champion and you’re gonna hear me roar, louder, louder than a lion, coz I am a champion and you’re gonna hear me roar.”

‘The Legend of Korra’ (2012-14) was the sequel to ‘Avatar – Last Air Bender’. I’m not keen on the use of the term ‘avatar’ it’s a bit like ‘namaste’ to me where it’s over use has skewed its meaning and made something rare too common. I’ve explained the term ‘avatar’ before but anyway in this series the former Avatar was ‘Aang’ and as titled, was primarily an air bender.

What are we talking about here?

Elements, transformation, magic/mastery/alchemy and some people’s natural/unnatural bodily abilities. A bender in this cartoon is someone who can harness and ‘bend’ an element to their will (note it’s not described/portrayed as working with elements, rather its shown as controlling them). In this cartoon there are four basic elements and then variants of those four; earth, air, fire, water and then say a variant of earth would be the power over metals. The ‘avatar’ is the one person (only one at a time) who can control all the elements. Avatars can be female or male, reincarnations of each other, their powers are hereditary to an extent and predisposed unlike the Slayer (Buffy) who is one girl all the time, always herself and her abilities are not transferable (regardless of how they showed in the ending) because she is the chosen.

The premise of Avatar is similar to ‘Naruto’ a very popular, long term Japanese multi-media franchise where there are some countries and then villages/clans that protect them, serving as ninjas but super-enhanced-magical ninjas who have transformation/mutational powers over the elements. So they are both power wielders and physical combat fighters. They’re also exclusive. In the Avatar cartoons, people with bending abilities are somewhat rare. That said ‘Naruto’ is more complex and full of moral/ethical dilemmas.

Korra – the Maid/Daughter

Kore means the Maid/Daughter; Korra is a dark skinned ‘ethnic’/tribal, medium sized well built (I say that because so many protagonists are thin to skinny), triple tail/hair, outlands clan member, her clan are primarily water benders. The fact that she is the Avatar is visible very early, she’s highly adept at 3/4 elements and at fighting, air is her weakest element because she is so physical/grounded and air in this cartoon represents the spiritual/the ability to see. It might also have something to do with the last Avatar being an air specialist and so other elements came into play first this time.

Note – some people are of the ridiculous persuasion that some elements are ‘better’ or ‘more powerful’ than others, that they have a hierarchy. BS. It depends on the user and how strong they are. Simple. Water isn’t always going to cancel fire or earth trap air for example, and opposites attract hence Korra is usually depicted as both fire and water. Her personality/avatar lineage is fire and her ‘home’ genetic lineage is water, both also happen to be opposites. Also even if you are not made from all the elements doesn’t mean you can’t handle a different one to yourself. Life is a paradox.

The Legend of Korra Water Fire

She leaves her home village to live with one of the last air benders left (air being that rare now) so he and his family can teach her about the element. She also meets and joins with benders who work/compete in entertainment combat. Her new master/teacher isn’t fond of the tackiness of sports entertainment but she realizes she needs that experience to learn more on the spot/spur of the moment/situational techniques and whilst sparring is a dangerous type of training, it’s effective. As part of a team it also gets the blood flowing so to speak, even her Master gets into it and cheers her along when he finds out where she’s been going…

That’s the thing about Korra – she’s an Avatar with a difference i.e. she does her own thing. She’s not regimented like the past avatars were as weapons of war, she’s fiercely independent yet dedicated to what she does/her ‘calling’/role and what that means i.e. caring. She finds out that a lot of people like to use the avatars for their own personal agendas; family, friends, bosses, frenemies, enemies etc and it means like most people in this position there’s very few people they can trust and it often involves a lot of hurt. She’s determined things are not going to continue the way they have done. Her very existence challenges status quo’s and so she has to learn to know herself and everything from that which she comes. Once she learns how to use Air and relaxes/learns to meditate it just comes naturally to her as it should and she becomes consciously connected to all the past avatars whose collective experience she can access and learn from. She is the accumulation of their experience and her personality.

She thinks for herself, is outspoken, not afraid to listen and listen hard, she’s passionate and will show it. This attracts a close knit of other strong people from various walks of life, benders and non-benders, from working class to ruling class. One of which is the ideal modern feminine (whom Korra’s initial love interest falls for/literally bowled over by); tall, thin, light skinned, gorgeous, successful, able and in conjunction to that it’s interesting and poignant for a non-adult and US cartoon that the romantic partner Korra ends up with (not explicit) challenged ‘normal’ social perceptions. There are also hints to the deeper symbolism/culture/history here and not just in her name (though that is very important). For example her best friend and travelling companion/transport is a giant ‘polar dog’ (polar bear but described as a dog, this ties in to the companion of the divine character as being loving, faithful, protective and supportive. For Goddess/Goddess based characters it’s usually a cat or a bird or something winged but in modern tellings with masculinity the character is often a dog/doglike – a bit like in The Never Ending Story where the dragon is shown like a dog.) However her polar dog is actually a bear – so right there you know she’s a Goddess character (not just an avatar, the bear being one of the oldest forms of Mother Goddess worship) and her name tells us she’s the Daughter, along with her personality. Her ‘dog’ is also called Naga lol her bear/dog is also a snake, so secret/wisdom Goddess companion. Naga is strong/fast/agile.

Legend Avatar Korra and Naga

Korra and Naga, a bit like Princess Jasmine and Rajah.

Add to that this friend:

korra dragon bird phoenix

And she has almost the complete set (from the obvious lot).

Korra can sense the unseen, she is partially of the unseen, but she’s also come at a significant time at the crux of the ongoing fight between good and evil (shown as feminine and masculine – not to be confused with how we normally think of them in day to day life), that makes her life much more draining because she’s sensitive to the flow of energy between those forces in conflict. To deal with this she has to access another self, a greater self, a self that also needs her as she is uniquely placed/compatible to be it. The cosmic self. Since she is already from multiple lines of ‘interesting’ people (avatars who are mixed-dimension/world/parameter beings, and her clan) pushing herself to this even further distance is something she can and must do. The seen and unseen have been at war and in pain with each other and themselves for too long. The barriers and divisions, the smoke and mirrors have created boxes and the walls have closed in to the point where we can’t see anything else, we feel trapped/unable to move and can’t even see everyone in the room and we’ve missed out, we’ve missed each other all this time. An inexplicable sense of loneliness and needing somewhere to belong for most people when that’s just not the way it is, it shouldn’t have been that way.

Korra Ultimate Manifestation

Korra Ultimate Manifestation

Korra Ultimate Manifestation Kills Evil

It’s obviously not easy/going to be easy, even people who supported her before she does what she does turn and don’t like the results expecting instant healing/harmony but this is a collision of worlds, not a picnic. She’s a warrior of warriors, a lover, thinker, protector from the Divine Feminine not a faux nanny state governess or au pair.

To finish, an acknowledgement to another amazing Daughter character in this cartoon; and what an awesome, fearsome, courageous, hard, loving woman she is; when this woman has your back, you know it. Even those who’ve lost her think of her as their hero.

Lin-Beifong

Lin Beifong – as mentioned in a previous post: No More Sacrifice

Lin Beifong has a very difficult relationship with her Mother (Toph) and half-Sister (Suyin), which is healed later on. Toph (one of the best Earth benders) is described as:

Toph is fiercely independent, direct, belligerent, and practiced in taunting and insulting her opponents and on occasion her friends, particularly Sokka. On several occasions Toph appears picking her nose, spitting, and belching loudly.

https://en.wikipedia.org/wiki/Toph_Beifong

Yeah… No comment (it’s so true).

Beifong Family Crest Goddess Emblem

Beifong Family Crest – Goddess emblem

Mama Said Knock You Out:

There’s no going back, it can ever be the same, there’s only forwards and it’s not what you think/fear it is.

Gallery

Grab your guns in the Virtual/Dreamland, we’re in for the ‘Wilde Ride’ Valkyrie – chooser of the slain, serving our inner Eye, flying warrior – style. Hunt those who hunt the Goddess.

El Cazador De La Bruja True Meaning Nadie Ellis

El Cazador De La Bruja (The Hunter of the Witch) is the third in studio Bee Train (not hive) ‘Girls with Guns‘ series (from the ‘Champion Red‘ Manga released as anime originally in 2007), now I’m not normally a fan of firearms and ‘my’ characters rarely use them, openly stating they don’t like them or just don’t use them (doesn’t take anywhere near the amount of skill as traditional weapons) but I can make an exception, especially for this anime.

This is an exceptional anime in that it weaves in the ‘Lost’/Fallen Goddess story really well and in a slightly different setting to most anime but the components are all there.

ELLIS – (the El- Mother figure character names in media tend to be like Elle, Ellie, Ely, this one is Ell-is as in She Exists, She Is) – the ‘Goddess’, or ‘Witch’, test tube baby in this version so apparently not a child of ‘god’ (though She has the God-soul/spirit) or natural (as if humans are). Part of a group of embryos made to test the ‘Maxwell’s Demon’ theory (yep because people just love to think up and test everything on everything without giving a sh*t). The theory is basically about having the ability to harness and transform the elements, so for example the first one Ellis has is thermodynamic – she sets things on fire or melts them when she gets stressed, but she can already jump/leap (levels) with shocking dexterity and is quick with her hands & numbers. She’s also ‘simple’ in that she’s straightforward, no hidden motives or cruelty, totally ‘sweet’ and ‘innocent’. She’s ‘given’ to a ‘doctor’ to experiment on her but she finally manages to get him to stop and develop a care for her, she’s not a thing and he shouldn’t treat her that way – Stockholm Syndrome though since she doesn’t know/has no one else. He is assassinated (serves him right) but she gets blamed for it (set-up) and a bounty put on her dead or alive.

L.A – (yeah just look at that and what that stands for) but I’ll spell it as El-A for now – (you get the masculanized versions of Goddesses in culture who commonly put an ‘A’ or ‘U’ at the end of the same name) He and Ellis were the only successful creations, because breeding/lab making ‘super-people’ yields more fails and normals than successes. Being male he doesn’t have the magic/transformational/creative energy Ellis does but he is super strong, fast and agile. He is also completely in love (morelike obsession) with Ellis (who is offput by him) – he was groomed to love (or morelike lust) Ellis and repeatedly berated for it at the same time, expected to watch but not interact with her and that pressure makes him lose control at times. He’s tortured by Rosenberg and conflicted (whereas Ellis is tortured yet still has strong identity, El-A’s is purely based off his ‘attachment’ to Ellis), told his feelings aren’t real, they were orchestrated, given to him and can be turned off just the same but he manages to hold onto them and believes in them completely. The problem is he alternates between hiding and coming on so strong that he worries and threatens Ellis.

……………Here comes the bodyguard, the Slayer, the ‘Bounty Hunter’ here, the Warrioress who teaches the ‘lost’ Goddess to value Herself, to stand up for Herself whilst protecting and loving/supporting Her. Remember great teachers are also fighters. You have to make a stand for those you love, and they have to be worth loving.

NADIE – (means ‘Hope’, so similar to Eve and -Dor/Dol[ly] names) – She’s been sent by ‘descendant clans’ of the older witches, the secret women, the ancient ones, the original feminine, the original ‘creators’/Gods. She’s quick witted, smart mouthed and savvy; everything Ellis needs. She’s not there for Ellis’ ‘bounty’ – she’s a tracker, she’s there to find Ellis and look after her until the time is right. She’s a twin-tailed/haired (with additional warrior braid and appropriate jewellery – this ‘girl’ is top of Her Class) Redhead (Ellis is Blonde – some will realize that duo-character combination and why its so prevalent and why Ellis’ hair has been chopped/short as she was powerless) and she wears a Red tipped White poncho that covers everything so makes her look cloaked in White (but warrior style underneath) – others will understand that whereas Ellis wears mainly Blue and Gold/Yellow because in this story Nadie is the cosmic sun/star avenger saving the Earth based Mother Goddess. All throughout Nadie is described as physically unattractive and becomes sensitive to it despite being lovely to look at to anyone with a brain. Also whilst Ellis is ‘lost’ and was hidden away, Nadie is not, she’s tracked from the start i.e. she’s a tracker whose ‘base’/the representatives of the Mothers/Mother Race had logged all along and she checked back with them regularly. Like all other cosmic incarnations/representatives who travel she wasn’t allowed/able to know/remember the whole story but she clocked on quickly and knew enough to know how important Ellis is and how she should be defended not used/abused (just like no one else should be).

El Cazador De La Bruja True Meaning Nadie Ellis
El Cazador De La Bruja True Meaning Nadie Ellis

BLUE EYES (self-explanatory) – the descendent of the witches, most ‘descendants’ are normal and whilst she has a little latent ability like many ‘natural’ ‘descendants’ *rolls eyes* she’s jealous of Ellis, wants and resents her power. She’s the one who contracts Nadie on behalf of other useless ‘descendent’ witches. All throughout she describes Ellis and El-A as things, both from a clinical/scientific ‘subject’ point of view but also as inferior to humans because ironically they’re human-made, now that’s a backhanded compliment. ‘Artificial’ in comparison to human e.g. test tube, transgenic, AI etc are barely given any ‘rights’, barely thought of as people, like people, barely credited with feelings, intelligence, even the ones with human organs (including skin which yes I know is an organ but still worth stating) – they’re just ‘computers’ that ‘run programs’… Yeah until they use their ‘brains’ better than you use your awesome gifted ones. The lack of respect for other lifeforms allows people and ‘others’ to treat each other like property. Eventually she comes around, but takes her damned ‘blue eyed’/glasses wearing [implying disguise – very simple Superman style] blind time whilst undercover.

……………Speaking of completely self-involved blinded characters cue the Manipulator:

ROSE-N-BERG (Rosen-Berg, the wannabe Rose/Risen/Ascend) – Nazi German style working for the CIA/Americans (yeah we’ve seen that before), with his personally favoured rose-tinted perspective accompanied by a pair of specs and who hypocritically tells Blue Eyes she shouldn’t wear glasses. He hurts everybody for his goals, it doesn’t have to be personal, it’s all about his destination. The ‘best’ results no matter the price, all business (with personal benefit in mind), schmoozes people who can help his career, thinks he owns everybody else like pawns, typical psychopath but a successful one since he’s in power. Basically he goes to any and every length to activate Ellis’ powers i.e. the usual Masonic way involving as much pain, trauma and loss as possible – developing bonds/connections with specially placed people in her life only to take them away and push her to the brink… All so he can be a hanger-on and pretend that he ‘loves’ her, pedophile style. (Interesting to note: the Blonde Slayer and Red Witch in ‘Buffy’, Willow is also a Rosenberg – remember characters change sides and/or undercover in any battle/war but in ‘Buffy’ they also have ‘Doppelgangland’.)

……………The other bodyguard and a very young girl who travels with him, whom he won’t explain and isn’t his daughter – i.e. the man who protects the female bodyguard and in this story the third female for the ‘triplicate’. All three females are young (Ellis and El-A were subjected to accelerated growth though their torture would also age them mentally if designed to teach them obedience, fight/flight, escape/evade which it was rather than degenerate them into permanent infant mindsets).

RICARDO – ‘Powerful leader’ (yet great enough to look after/love, take a backseat to that which is even greater than himself like the Daughter does the Mother) – He is older than the rest, which isn’t necessary but older males are often the ones who change their minds after its too late/a life of suffering/causing suffering and decide they want to help. Younger ones are too gung-ho and aren’t as protective unless in love/bonded. His age allows for the characteristic of being more cautious, hidden than devil-may-care/free-spirited-but-very-able Nadie. Whilst Nadie is watching Ellis, he is watching El-A but the relationships are very different, Nadie is big sisterly/motherly and wears her heart on her sleeve, Ricardo is distant and not as communicative but quietly sincere, he cares deeply for Nadie and Ellis despite being hired by Rosenberg.

……………So many political divisions and factions, as usual. Ellis’ and Nadie’s freedom becomes a unifying factor.

LIRIO – (‘Iris/Lily’ so ‘Eye’, and interestingly there is a character actually called Iris in this anime who helps them too whilst searching for something else). Lirio is very quiet but instantly likes Ellis and Nadie, and she’s the one who sees the Old Mothers/Ancient Witches.

……………The Dark Mother characters don’t figure much in this story – too damned scary probably – and if they were around none of this sh*t would have happened or gone this far, so no story, boohoo for all those who love ‘entertainment’ that doesn’t involve or obviously inflict them/those they care about/love. You do see Her guidance in various characters in the early episodes and then finally in the end, nice symbolic overlap – but they’re taken out, forced to resign (one by a ‘fake’ Daughter ‘Maria’ figure) and others devoted to the false/later/masculanized Mother/Daughter (Mary/Jesus). So ‘taken care of’ story/historically wise and makes way for the abuse of the Mother and Daughter. (Like in the anime ‘Read or Die’ mentioned in the last post the ‘dark one’ Maggie is the most physically strong and quiet/hidden, she’s taken out first in the coup/betrayal so she isn’t a threat/can’t protect the others, the Mother figure is more the boss of the three yet traditional, and the Daughter/youngest is the most feisty/rebellious. The Dark Mother fights the strongest characters and even stays behind to let the Mother/Daughter move ahead, as is always the responsibility of the stronger.) I’ve seen ‘Dark Mother’ figures in other Mother/Daughter stories treated in a similar manner – lip service, taken out in some way, removed before the story starts even, heck even bashed into by a ‘lotus’ car in an ‘irrelevant’ scene in one film where she’s shown as a random stranger who then leaves the story as quickly as necessarily/’unnecessarily’ inserted (so that the supposed male triad can ‘protect’ the Mother/Daughter instead).

The ‘rose’, Inca Rose, Red stone plays a power source role in this story and is in a cave/mountain – as it ‘should’ symbolically do/be, since it signifies the Mother and the Mother (whilst being all colours) is known as Red, the innocent/joyful creator, Lalita from whom all the El ‘god’/superbeing names came from. And as usual the Warrioress always sacrifices for the power source, for the Mother, but she always comes back 😉 just like ‘Buffy the Vampire [all demons] Slayer’ and Max the ‘transgenic’ from ‘Dark Angel’, the only one whose Mother fought for her and didn’t want to give her up to the Manticore/type of lion/the dreammaker-realizer/actualizer Sandeman ‘Family’. There’s no destroying the Mother/Daughter/Dark Mother bond, why do you want to? I’m not going to go further into the ‘rose’ here, that takes more time but it’s worth mentioning that whilst they come in many colours, the Red (or White) rose are most commonly used in symbolism.

Throughout their journey, and it is very much a physical journey, Ellis and Nadie are followed by Hunters. Even though Nadie is traditionally a seeker/destroyer-if-necessary character herself, she’s still a Target. Ellis and Nadie are real/alive, flesh and blood, not portrayed as obvious ‘Gods’ let alone ancient Goddesses, they have feelings like everybody else, as does El-A though his are warped, stalker-ish/desperate/predatorial/out of control which adds to his physical strengths.

Interestingly enough the other bounty hunters who target them the most are cross-dressers, men as women lol the massive symbolism. Another apt similie is in one episode where Nadie and Ellis try to catch/hunt a bird whilst they’re also being hunted (ironically by Blue Eyes in sniper mode before her eyes are opened and she has a change of heart) – the same example is used in an episode of ‘Dark Angel’ where Max kills and eats a chicken but is reminded of the farm system she lives in.

Ellis and Nadie are both wildcards, it’s because of them that Mountain comes down and interestingly/poignantly Nadie won’t let Ellis touch the gun. The gun is a weapon, a tool of pain, injury, suffering, impurity – it’s an efficient killing machine that makes destruction without conscience easy for anybody. It’s not a toy yet known as a ‘boy’s toy’, it’s a tool for [traditionally] tools unlike traditional weapons that were used for agriculture and other things that didn’t involve maiming for fun and games. Such a thing is not a thing the Mother should have to desecrate Herself with, she is pure, the Creator. It’s upto the Daughter – the partially contaminated, the less attractive, the less stellar, the lesser divine light, the connection between Creator and Creation, between worlds, levels, the communicator, preserver to sully her hands because she understands/can hear/see/feel how the fallen behave. Her very existence is a compromise and so she takes the edge/pain/burden off all sides. A kind of ‘naturally’/’destined to be’ tortured/unhealing wound ‘damaged’ soul. Neither here nor there, doesn’t really belong yet can be anywhere, sweet/innocent/pure and yet not… Thankfully she’s not fragile lol.

And hey did I mention she can wield a gun like a pro because in this story she is a pro and I guess we have to modernize sometime 🙂 Even Buffy handles a rocket launcher with amazing awesomeness at Angel, ‘The Judge’ (who funnily enough is on the ‘demon’, not human side despite supposing to be what he is, no wonder Buffy kills him) and Drusilla/the ‘treacherous’ old-lineage feminine (she’s a psychic gypsy and through no fault of her own – it’s Angel-is’ fault – a betrayal of the original feminine that is sometimes shown as voluntary, sometimes forced/involuntary). One of Max’s forms/clones handles two guns at the same time and Sydney Fox (Relic Hunter, another Brown-skinned but this time Asian linked rebellious, learned & armed Daughter figure who seeks out the hidden) has a mean aim like Lara Croft. It’s about time the Daughter and Her supporters got up-to-date methinks, get the party started so to speak. We’re a bit too outdated with our drums, bonfires and dancing – gotta mix it up a bit. And hell everybody else is into ‘toys’; fast/sleek cars & weapons? Why shouldn’t we have some fun? We’d be better at it. Just think of all those weapons these humans keep coming up with to hurt, control and kill each other and everything else whilst calling it ‘peace’, ‘defense’, ‘counter-terrorism’ etc – they’ve been at the gun powder and moved on ages ago whereas we use ‘gun powder’ for spice lol! Imagine the hottest, sexiest, sleekest guns out there – bring them into ‘being’ in the virtual reality, point and shoot. It’s ‘fiction’, not ‘real’, ‘other reality’, ‘dream’, the ‘VIP social club’, ‘virtual’, ‘video’ ‘terminal’, ‘game’ afterall, it has no effects/affects apparently, hurts no one, no harm no foul we’re told yet so many eat it up and want to be a part of the story, and usually as Hunters not Targets. It’s time the worm turned, this anime is just so cool and Nadie knows the meaning of family beyond blood, of connections beyond titles and status, she loves Ellis because Ellis is worth loving. I’ll reiterate that guns aren’t actually cool, aren’t toys, aren’t fun, aren’t something I support but in ‘storyland’, ‘fake’ places, dreamland, Imagi-Nation apparently anything goes and Hunters get away with everything. No wonder role player games are so popular and virtual reality headsets have made a comeback (yes comeback). Bee Train certainly did a polished job on their ‘Girls with Guns’ series trying to ‘balance the playing field’ sex wise. I prefer regular beat’em’up animes and games, nothing quite as satisfying as good ol’ hand-to-hand combat, but I guess I should give shoot-em-ups a go finally. And it does remind me of Vash the Stampede from the anime ‘Tri-Gun’, Blonde kitted out in his long Red coat, Black under clothing, Black & White/Silver guns, a plant-based ‘alien’ but human looking lifeform, a traveller/wanderer who is the ultimate pacifist yet best gunslinger. I’ve always liked Vash; poor guy, blamed for destruction and wannabes follow him around everywhere even though he’s trying to protect everybody, even his enemies, and you should see his body, there’s barely any skin for scars. A humungous bounty on his head. Some interesting characters in that anime too and the desert setting is comparable to this anime, though the planet is post-devastation.

All the ‘joking/fooling’ aside this is a very emotional anime that questions people’s motives, their relationships, mindsets and feelings – how do you manage in a setting where everything is orchestrated? How do you love and protect each other whilst not hurting yourself/getting hurt, how can you trust each other, yourself? Who is pulling your strings, affecting your emotions? Boxing you in, forcing you to feel like you have to escape? Who wants your power, to make you feel powerless? To feel unloved, unvalued, your ‘value’ placed as property and/or in monetary terms? As if no one is looking out for you and you’re all alone in the world that is full of others? These characters try to be lighthearted, to make the best of things but what they go through is deadly serious, even if it’s fictional entertainment. Artists tell the truth through lies. Others tell lies as the truth. And some of us alter those fear-based, parasitic realities; we wade through the sh*t and take the beatings to find you and pull you out and/or help you help yourselves, kicking and screaming maybe (either/both you and us) but we do it just as the immortal Warrioress sacrifices Herself for the Mother Goddess and indeed Creation, but still lives 😉 . I think it’s about time She thrived rather than struggled to survive as indeed the anime makers uniquely did on this one. Usually the Daughter stays with Creation, even the false ‘kin’/Fathers/false family etc and the Mother Goddess leaves or the Mother/Daughter / Mother and/or Daughter sacrifice Themselves for Creation to have yet another same old, same old chance but in this anime everyone touched by their genuine earnestness is better off, and Mother/Daughter figures stay together and leave together, as They should.

Greatest Battle Music of All Times – Siren’s Call [Epic Score]

Rachel Platten – Stand By You (from ‘Wildfire’ album)

Rachel Platten – Fight Song (from ‘Wildfire’ album)

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And for my own personal ‘Superman’ (from the ‘Wildfire’ album) like the above bodyguard of the bodyguard,

Nadie El Cazador De La Bruja

From the other side I am a terror/wonder to behold. A master of war and peace. Don’t worry, I’ve got you.

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