Pursuing natural health & thinking beyond the superficial. Deconstructing Culture.

So as usual on the caravan site where we live the owner’s (other residents and staff including the owner’s family) throw their weight around using our rented plot for their convenience. They know they have to ask permission but today’s excuse is “you don’t have a car so I can park here” (and put the engine on in front of you to leave running to annoy you and leave his property on our porch as well as a ton of arguing and aggression from him/staff & the owner herself hence we’re heavily outnumbered and outshouted) whilst admitting that he purposely ignored the designated parking spaces and his car is lovely in his opinion so it’s fine by him to park it right in front of us so we can look at it and despite agreeing that he wouldn’t expect or like others to park on his property (though he considers the entire park his family’s regardless of tenants). That gets us… Given (knocking via the side door not the front door for some reason, as if the porch isn’t ‘ours’ either) a vague memo on headed paper acting as an eviction notice. I read it, went to ask for his mother, who typed it, he shouts “I’m not allowed to talk to you, I’ve got four witnesses” (there was only one in eyeshot) “fine, I’ll look for her” I reply and as soon as I turn my back he yells after me “ok I can’t help myself” and pontificates about how they can evict whoever they want whenever they want, it’s their park and they’ve just done the same to the lady at No:1 who “didn’t have a leg to stand on” apparently and then blames us for this not being a residential park denying that the onus is on them for being open all year round like a private residential or part private residential/holiday park and letting to us for almost 3 years. They’d previously stated they’re open all year round and do long term lets because “we don’t care”. We do care and so pay council tax for this as our main/only and permanent residence and when we signed up ironically whilst there are other long term tenants and owners the council only had one address as paying.

Funnily enough the memo conveniently cites a different member of staff (not one of her sons), and not the owner who greeted us when we moved in. It’s not a solicitor’s letter properly served but they seem to believe that threatening behaviour “if you’re not out in 4 weeks the sheriff will get you” and successful eviction of another tenant recently allows them to do what they want e.g. the tenant who they forced out and replaced her caravan after she moved, and threatening that if we try to move to another park he’ll warn them about us. I told him that was a threat and he changed his mind “I’ll give you a glowing reference”. It’s also apparently our fault for not being given any terms and conditions when we moved in, and them not wanting to supply us with a retrospective contract (which they don’t have/didn’t provide); it was all verbal and informal which wasn’t a problem at the time but of course that means they feel and seemed to have gotten away with doing whatever they want even though we pay our rent and utilities.

What I find interesting is that today they’re removing the caravan next to us which was occupied and have just done the same to No:24, evicting or moving people to renovate/upgrade? Goodness knows our caravan needs it, extremely dilapidated from the start with furniture and fixings unsuitable for purpose and a lack of structural integrity (windows/doors). It’s not an accusation, just wondering.

This is an extension of something I wrote to someone:

Ritual Abuse: Temptation, the idea of Deliverance, false Reward, Shame, Humiliation and Losing Yourself.


I’m usually quite formal and polite but I don’t really know how to put this and you’ve probably heard it all before so I just have to take a personal tone immediately.

I don’t want to start like Charles Dickens’ ‘David Copperfield’ and make an attempt at being chronological yet skip back and forth but that’s the style in which I increasingly think now.

I’ve always had vivid dreams as I’ve had sleep paralysis since I was 12 (I’m 33 now) but since March 2016 (the earliest point I’m aware of) something changed and it’s far too much for me to cope with. My dreams became real in that characters within them ‘came out’ of dreams into waking reality, I’ve ‘seen’ them in moments sometimes translucent, sometimes in visions (eyes open and closed, colourless and colour Hi-def visions, computer screen visions and images in dreams, being forced to learn to read in dreams) and I hear them just as if they were in the room. Tragically they’ve gone from seeming to be in the same room/space as myself (and anywhere outside I go) to being ‘inside’ my head, now there’s no longer any or enough space for me to be stable/sane, just knowing they’re there makes me incapable and small, getting smaller by the day. I can’t concentrate on anything anymore; the people I love, the ‘reality’ I’m in, my awareness of my own body except the most essential bodily functions which unfortunately I’m acutely aware of and find hard to carry out. Said ‘entities’ (and/or people with technology and spiritual/metaphysical capabilities) can not only read my thoughts, they are aware of them before/as soon as I have them so I don’t even need to fully think them out let alone ‘voice’ them with my own inner/mental voice (as opposed to mouth voice which they can also hear), they can ‘see’ all the images I have in my own as well as superimpose their own, remove and edit mine, and know what I feel though nowadays my feelings are severely limited to exasperation and being at the end of my tether.

Some of the innumerable terms and phrases ‘they’ve’ used is that I’ve been “denatured”, that I was “susceptible to programming, hypnotism, suggestion”. Turned from one thing/type to another. Losing oneself. The worst of it began in mid-August. In my own diagnosis I’ve had two nervous breakdowns, predetermined split personality/ies (but not real, just something that comes up when they push and pull too hard), have lost all my yoga/energy techniques and the days just pass me by. In its/their opinion I’ve had “shock” and “trauma”. It’s possible that my character is changing to accommodate (unwillingly) the personality/ies connected to me such as preferences that are alien to my own e.g. meat and dairy, fetishes, swearing and blaspheming (I’m vegan, heterosexual and generally mild mannered, and it/they’ve told me “get over your morals”).

Other aspects of the ‘programs’ I’ve been put through are sleep deprivation (both preventing me from sleeping plus waking me up, orchestrating my dreams including both characters I don’t know and people from my past within them, even commentating through them as if watching at the same time like a cinema – my body being their entertainment system and mind a virtual scenario e.g. I’ve been used as a video game character in dreams and even shown the graphics for a dream environment) and loss of appetite (not even being able to drink). “But we can’t let you sleep until [wanting something/another method/to know who I am]”, “we’ll let you have a few minutes every [few] hours”. Taking the ‘third eye’ colours (such as the Green and Blue you described when you learned how to use your pineal gland), blinding with too much light/brightness, shutting out the light like using a set of inner eyelids/shutters on the eyes, deafening, inner mind voice vs mouth voice, making my inner voice silent, stopping sentences, unable to pronounce letters, loss of diction/sentence structure/word definitions, unable to mouth speak, feeling like I can’t talk to other people or even be around them because my very presence desecrates them and isn’t good enough, parroting the ‘voices’ to separate it/them from my own, it/they imitate my voice, make it louder, make it hard for me to discern it/theirs and my own, play music/songs in my mind. I’m so used to it I sometimes have to talk within my head myself constantly to try to drown them out/block them and then I can’t stop, finishing their sentences and able to carry out whole conversations whether they’re talking or not. They’re able to cause ecstatic emotions/feeling of greatness, a “visionary”, (“she’s special”), godhood, disliking me talking in third person (apparently made them ‘feel’ guilty), body consciousness/disgust, sexual focus/inappropriate sexual focus/machismo, fear of being watched/listened to various consequences such as indigestion/constipation and a couple of fits (all of which they could relieve/end manually) and finally having to let go of all inhibitions/want of privacy, creating a “soldier” (without the violence) at times obeying commands to go to the bathroom/get changed.

I’m suffering memory loss from missing dreams, general knowledge, specific knowledge i.e. from studied subjects, diction/definitions, basic mathematics, even my favourite things like movies/books/music, a loss of appreciation for nature and day to day events, even thoughts from a few moments before to the point of torturers ‘helping’ [themselves ultimately] telling me where things are/how to do things/how to behave in public so as not to get in trouble, they especially didn’t like the outbursts of ‘manic’ laughter I temporarily had. Apparently any deviation from my ‘normal’ behaviour in public could get them into trouble despite their threats of terrorism and Manchurian Candidate (“ice-cream candidate” i.e. I scream candidate for a/the “game” which supposedly incorporates “players” who can access your stats such as location/looks/storyline(s), apparently they don’t all know each other – can play alone and/or in groups – and don’t all have the same access to your information; “you called”, “I didn’t know you looked like that”, “but I’ve been there, I’ve seen where she lives”, “where does she live, give me her address”, it’s always changing). Much of this ordeal seems very like Franz Kafka’s ‘The Trial’ where there’s a secret court/trial/tribulation and indeed detainment/imprisonment going on in my own head/mind and body. “She’ll know what it’s like to get raped everyday” (even in a physical location somewhere “Argentinean prison”.)

Belief and lackthereof has been a major point for them, wanting me to believe anything they say (from lovebite storylines, dreamspace ‘police’/military and militia and “hospital”/double/cloning related, private contractors, ultraterrestrial and extraterrestrial to terrorism/criminal, US vs Russia, British Secret Service, aristocracy/royalty, Skull and Crossbones society, brotherhood, astral/space travelling or remote viewing, paranormal investigators, watchers etc) to becoming disassociative, desensitized, disconnected and ultimately despondent. Shame, humiliation and blame are also their focus, sporadically inserting moments of ‘reward’ to get me through, allow me a few moments of ‘grace’ before the next punishment which most recently has included being able to move/jerk my limbs for me (which I call ‘shocking’ and they call “punching”), buzzing in my head and masking my Mother’s presence – a few days ago (can’t even remember the day) we went to the New Forest (UK, England) and all I heard was a fly buzzing behind me until it/they cleared up the noise it/they’d started in the first place and I realized it was my Mother praying behind me. They probably found that offensive since they added a new sound after that, I’ve gotten used to so much noise whether loud or quiet (since they let me ‘hear’ them whatever the volume – volume they can adjust) that my left and right side hearing switches and I’m having trouble traveling outside especially on roads.

It/they enjoy confusing me; playing all sides ‘good cop’, ‘bad cop’, ‘in between’ sometimes all at once or in ‘shifts’ as well as initiating or gauging and then reiterating/reinforcing fears into phobias.

I’ve become very much the invalid trying to convalesce, unable to move around much, sit/stand straight, really cold all the time (have to wear far more clothing/blankets than necessary), lost most of my physical strength (I was very fit) and am generally lethargic and feel ill. Being unable to laugh or cry properly has hit me hard. Exercise has no effect for me anymore either, anything a tiny bit ‘stressful’ like brushing my teeth is overdoing it, all the breathing techniques I had are of no help and the visualization methods are particularly detrimental (in addition to the hilarity over me being unfeminine now).

I only sound lucid now because I’ve been making notes throughout the year and this is an occasion where I can somewhat concentrate because it’s selfish or about something it/they find interesting. They’ve called me many things and have claimed they know about my blood sugar level, blood type/pressure, have collected bodily fluids (yet apparently don’t have any of my ‘physical’ DNA), that they fixed a chronic jaw issue which I should apparently grateful for. That I’m a “paranoid schizophrenic”, that I have “leukemia”, “alopecia”, “epilepsy”, “cerebral palsy”, multiple/split personality” and verged on “body dismorphia” (but didn’t want to go there), “sickle cell”, “aspergers”, “diptheria”, “you should have the flu” and “smoke” (in additional to coded language/terminology they use whilst imitating my own style of talking “Dolly dialogue”). Yet when they back off a little I don’t feel physically ill, my sense of humour even shows a tad but I simply cannot stand its/their presence, just knowing it/they’re there is too much for me. “I/We bought you”, “you’re mine”, “you’re interesting” (though I don’t understand how anymore), “it’s (having me) fun” and constantly grading/rating me “pass”, “fail”, using criteria like intelligence and imagination and marks out of 10.

The point is I’m ready to die or “murder by assassination” as they call it “we don’t make people suicidal, it’s unprofessional” (in addition to the “you’re already in/going back to the [insane] asylum” in their so-called “hospital” in which I apparently “wail”, have been convicted and drugged).


https://dutchblend.files.wordpress.com/2011/06/hood_headphones_what_is.jpg (I’d add a two way mirror and observers pushing buttons).

I’m not (the following are names it/they’ve used for/about me): Venus, Delilah, runt, cybernetic (told me to look this up in a legal dictionary, hybrid, spy, hacker, weapon, tool, Queen of Sheba, psychotronic whore, mad Max, mollusc, Mother Hubbard (cupboards bare), Horatio, Hamlet, Heaven, panther, samead, gypsy, Black Beauty, blacksmith, archer, songs from the animation ‘Sleeping Beauty’, calling themselves Mad Men (like the tv show?) Susie Q (I wasn’t sure what that was about other than the Creedence Clearwater Revisited song or Susie Quatro but when I read about the woman who was used in the US-Iraq situation where she said Iraq wasn’t responsible/weren’t doing the things the US claimed, ‘my’ voices didn’t like me learning that and the name was from ‘Suddenly Susan’ – tv show .) Shark bait, ventriloquist’s dummy. Juggernaut (idol of Krishna – perhaps a double meaning though). Constant references to wine, bread, cheese and fish – even “you’re not White wine” (not Red), a reference to Dionysus – god of wine and madness, also one day “we broke bread for you” as well as chicken & egg words; ugly duckling, scrambled, omlete etc.

There’s no forgiving and forgetting.


Or just do it.

Get me out of the situation, get them out of me. I have been violated. Home invasion.

Just some of my notes (they’re not in order, an aide-mémoire):-



Makes a great movie huh😉 except where you ‘played’ with my Mum. There’s pieces of the puzzle missing, I’m not particularly interested in them but they’ve got to have enemies too. Think about it.

The following article is quoted from: http://vigilantcitizen.com/vigilantreport/the-world-of-mind-control-through-the-eyes-of-an-artist-with-13-alter-personas/

Kim Noble Ritual Mind Control Abuse Victim

Kim Noble

The World of Mind Control Through the Eyes of an Artist with 13 Alter Personas

By VC on September 22, 2011 Vigilant Reports

Kim Noble is a rare occurrence: a trauma-based mind control survivor with over 13 alter personas who don’t know each other but who all paint. She has suffered DID and MPD (dissociative identity disorder and multiple personality disorder) for most of her life, as a result of an extremely traumatic childhood. Each one of her alters paints with a personal and distinctive style but they all have one thing in common: they reveal the dark world of mind control programming, from its horrific techniques to its symbolism. We’ll look at the works of this unique artist who reveals a world that is totally hidden from the masses.

Many articles on this site point out the presence of mind control symbolism in popular culture. Photo shoots, music videos and movies often glamorize and trivialize mind control and its symbolism by associating it with famous stars and trendy happenings. The fact however remains that these references celebrate one of the most abominable practices known to man: trauma based mind control, also called Monarch programming. Originating from the secret CIA project called MK-Ultra, Monarch programming subjects its victims to some of the most sadistic tortures conceivable (for more details on Monarch programming see the article entitled Origins and Techniques of Monarch Mind Control).

The works of Kim Noble vividly document the life of a mind control slave through the eyes of 13 alter personas. While a few of these alters paint peaceful landscapes and nature scenes, most of them depict horrific aspects of mind control such as physical torture, electroshock, violent abuse, dehumanization and dark occult rituals. The stories told by these paintings are almost too much to bear, yet they likely actually happened to Kim Noble as they precisely reflect  accounts of other Monarch survivors. Looking at the works of Kim Noble not only reveals gritty details of an abominable practice carried on by “elite” organizations, it reveals the symbolism that is also thrown in our faces on a daily basis through corporate-owned mass media. Let’s look at the life and works of Kim Noble.

Who Is Kim Noble?

I have the feeling that Kim Noble herself would have trouble answering this question. Here’s the biography found on her official website.

“Kim Noble  is a  woman who, from the age of 14 years, spent 20 years in and out of hospital until she made contact with Dr Valerie Sinason and Dr Rob Hale at the Tavistock and Portman Clinics.  In 1995 she began therapy and was diagnosed with Dissociative Identity Disorder (originally named multiple personality disorder). D.I.D is a creative way to cope with unbearable pain. The main personality splits into several parts with dissociative or amnesic barriers between them. It is a controversial disorder but Kim has had extensive tests over 2 years by leading psychology professor at UCL, John Morton, who has established there is no memory between the personalities and that she has the misfortune of representing the British gold standard over genuine dissociation.

Having no formal art training, Kim and 13 of her personalities (alters) became interested in painting in 2004 after spending a short time with an art therapist. These 12 artists each have their own distinctive style, colours and themes, ranging from solitary desert scenes to sea scenes to abstracts, collages, and paintings with traumatic content. Many alters are unaware that they share a body with other artists.

What is remarkable to all is both the quality of their work and the speed of their progress. Within five years of starting to paint they have already had seventeen successful solo exhibitions and participated in an equal number of group exhibitions. Kim was also the first Artist in Residence at Springfield University Hospital in Tooting, South West London.”
– kimnoble.com

Despite the fact that she has to live with 13 alter personas – who randomly take control of her body – Kim Noble is fortunate enough to be living a relatively normal life. The fact that the programming stopped at a young age has helped her become “well-adjusted”. She has a teenage daughter named Aimee, who was mostly raised by the motherly alter named Bonny.

In the past few years, Kim Noble enjoyed some mainstream exposure and was featured in national newspapers such as Telegraph – Kim Noble, The Guardian – Kim Noble, The Independent – Kim Noble and several others. She even appeared at the Oprah Show, where she was interviewed and was shown switching personas. As you might expect from mainstream media, the coverage of Noble’s condition was extremely superficial and focused on exploiting the “freak” aspect of her condition for shock value. The true cause of her condition, trauma-based mind control, which is extensively described in her works, is almost never mentioned.

Although most articles and interviews about Noble “applauded” her courage and whatnot, none of them dared discussing the core message of her work and the system that it describes. Many of Noble’s paintings depict terrible scenes of organized, institutionalized and systematic violence, torture, and child abuse combined with elaborate occult symbolism. It is obvious that the trauma Noble went through was not caused by a single sadistic father but by an organized entity that held many children. The only article I found delving into the mind control aspect of Noble’s work was The Art of Dissociation from the excellent website Pseudo-Occult Media. However, to most newspapers, Noble’s work is nothing more than an example of “outsider art” (a term popularized by trendy art-world douches to identify art created by people with mental problems). Most observers are fascinated by the fact that each one of Noble’s alters paint with a distinctive style, but it’s as easy to recognize that her collective works describe her past as a Monarch programming victim.

The “real” Kim Noble does not recall any of the abuse she suffered – several of her alters do, however, and they express all of it in their paintings.

“To all intents and purposes, each of Kim’s personalities is an artist in their own right: Patricia paints the solitary desert landscapes, Bonny’s pictures often feature robotic dancing figures or “frieze people”, Suzy repeatedly paints a kneeling mother, Judy’s canvasses are large, conceptual pieces while Ria’s work reveals deeply traumatic events involving children.

These disturbing images are at the root of Kim’s extraordinary condition; DID is a creative mental survival strategy whereby the personality splits at a young age due to severe and chronic trauma. The number of personalities that exist often depends on how long the trauma lasts. But Kim herself has no memory of being abused as a child; she has been protected over the years by her alters.

“I’ve been told I was abused and to me at this moment in time, it’s too much. It goes in one ear and out the other. It’s no good retraumatising me and telling me something I don’t want to know – in any case, there would be a switch.”

Kim has good reason to fear learning about her past as it’s possible that if she acquires too much information, she won’t be able to cope and will “disappear”. It’s happened twice before. (omega)

This is where it gets really weird – for Kim isn’t Kim at all. The personality I am interviewing is Patricia and it is she who manages her and Aimee’s lives, but Patricia wasn’t always the dominant personality. Before Patricia took over, Bonny held the fort and two years previous to Bonny, it was Hayley.

Kim watches me closely as she explains: “You see Kim is just the ‘house’, the body. There isn’t a ‘Kim’ at all – she has completely split. So we answer to the name Kim but really I am Patricia. When people call us ‘Kim’ I suppose many of us just assume it’s a nickname, but once people know you they don’t use your name very often in conversation.”

Of the 20 or so personalities who share “Kim”, some are easily identifiable: there is 15-year-old Judy who is anorexic and bulimic, maternal Bonny, religious Salome, depressed Ken, sensible Hayley, Dawn, Patricia and elective mute MJ. There are also a handful of children “frozen” in time. A few of the alters know about the DID but many are unaware – or refuse to accept it.

“Judy doesn’t believe in the DID,” explains Kim. “She’s only a teenager and she calls our therapist a nutter when she tries to explain it to her. She’s so young, she doesn’t even think Aimee is her daughter. She knows about me and she thinks that I’m a terrible mother because I’m always leaving Aimee. To her, it’s totally normal to keep coming and going. She probably thinks that you come and go too.”

There are certain “triggers” that can force a change and gradually Kim has learnt what they are in order to avoid them – but it doesn’t stop her switching up to three or four times a day.”
– The Independent, “Kim Noble, a Woman Divided”

Let’s look at some of the works created by some of Kim Noble’s alters as they each provide a different look at the shady world of Monarch programming. Regular readers of the Vigilant Citizen might realize that a lot of the symbolism found in Noble’s paintings are also found in popular culture.

Warning: Several of these paintings depict disturbing scenes which might not be suitable for young or sensitive readers.


Bonny, who was Kim’s “dominant” alter for a few years, is a warm and motherly figure. Most of her paintings portray humans as mechanical robots – which is one of the ways one could describe a mind control slave. Other pieces are more directly related to Monarch programming such as this one, aptly titled “I’m Just Another Personality”.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“I’m Just Another Personality” visually represents the splitting of the subject in several alters. The central figure, or the core personality has become simply “another personality”. It is blindfolded, representing the victims total blindness to its condition.

Kim Noble Ritual Mind Control Systematic Abuse Victim

Lady Gaga on the cover of V with two alter personas.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“I-Test” portrays a blank, emotionless face with blindfolded eyes. The skull is cracked, representing the fracturing of the psyche. One of the eyes is bloody and we can assume that it has been poked out. The symbol of the missing/hidden eye is extremely important in the world of Monarch mind control. It symbolically represents the loss of half of victim’s vision of the world – the other half being “taken out” and controlled by the handlers. In occult symbolism, the emphasis on one eye can refer to the Eye of Horus, the All-Seeing Eye, a symbol of the occult elite.

Kim Noble Ritual Mind Control Systematic Abuse Victim

A promotional t-shirt of the movie Sucker Punch (which was all about Monarch Programming – see “Sucker Punch” or How to Make Monarch Mind Control Sexy) featuring a bloodied eye.

Kim Noble Ritual Mind Control Systematic Abuse Victim

A cracked face on a promotional poster of Black Swan – another movie with heavy mind control elements.

Golden Dawn

Golden Dawn is the alter that saw the birth her daughter Aimee. However, Dawn believes that Aimee is still a baby and does not recognize the teenage girl that lives with her. The name “Golden Dawn” has a heavy occult connotation as it is the name of an important and powerful secret society that taught Hermetic Kabbalah, astrology, occult tarot, geomancy, and alchemy to its initiates. It held within its ranks prominent occultists such as Arthur Edward Waite and Aleister Crowley. The process of Monarch mind control combines state-of-the-art “science” (if you can call torture “science”) with ancient occultism, whether it be in hermetic theories, kabbalistic symbolism or invocation rituals. It is therefore no surprise that she was given this occult-inspired name.

Her piece entitled “The Naming” visually depicts the process of creating and naming a new alter.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“The Naming” is an auto-portrait of Kim with one eye that was removed from the face and placed above her, bloody, which conveys the violent nature of the process. Once again, mind control is symbolized by the loss of an eye which appears to have been replaced by a text/poem that was probably used to program her.

Most of Dawn’s other paintings feature limbless, mannequin-like figures who are subjected to various methods of torture.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“Armless Goddess” portrays a hopelessly powerless figure, ironically referred to as goddess.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“Armed Goddess” depicts another traumatic torture scene.


The alter “Key” appears to have a profound understanding of the process of mind control and its underlying occult aspect. The name “Key” might refer to terms such as the “Key of the Mysteries” or “Solomon’s Key” as she seemed to have been programmed to understand some of the occult concepts utilized in mind control. Most of this alter’s works describe the programming process as a kabbalistic “Great Work”, with the Tree of Life (the main symbol of the Kaballah) as the main object of focus.

“It Happens” is an extremely detailed work describing the several layers of programming required to traumatize and program a mind control victim. The title “It Happens” is a disabused way of saying that … all of this really happened.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“It Happens” is comprised of overlapping layers surrounding a central figure: a helpless person strapped to a bed. The head is symbolically “decapitated” from the body using a line, representing the concept of dissociation. Each one of the overlapping layers contains a set of pictographs representing either traumatic events or occult symbolism. The outer layer depicts scenes of victims being electrshocked, hung from a tree, being caged, raped (sometimes with animals), caged, buried alive and more. From this outside layer, arrows point towards the second layer, which contains zodiac signs. According to F. Springmeier, zodiac signs are used as a code to assign and file body programs. The center layer surrounding the victim contains words such as “Hell”, “Devil”, “Blood” and “Kill” which are shock words used to further traumatize the victim.

Kim Noble Ritual Mind Control Systematic Abuse Victim

This one, entitled “Golden Kaballa”, uses the same basic layout as the previous image but replaces scenes of trauma with occult symbols and the central figure with the kabbalistic Tree of Life. Each one of the Tree of Life’s colourful spheres, named Sephirots, are used in Monarch mind control as “compartments” to store alter personas. The outer layer of the work contains the name of each of the ten spheres of the Tree of Life with its associated Hebrew letter.

By overlapping the trauma depicted in “It Happens” with occult aspects of “Golden Kabballah”, we get a rather complete idea of the process of mind control. They schematize, with near mathematical precision, a process that is described by authors on mind control such as Fritz Springmeier.

“The Cabala is synonymous with Hermeticism or Hermetic magic. The Cabala was jewish-babylonian magic. The jewish black magicians brought it to Europe. It began to get widespread notice in Europe after Enlightenment period. The great pyramid according to the occult is a symbol of the Cabalistic Tree of Life–the branches of the tree form the four streams or lines to the base of the pyramid. Because the Cabala is the basis of their hermetic magic, Illuminati systems will be fairly consistent in the make of a slave’s internal Tree of Life and Tree of Evil. (…)

The rooms of the tree of life have names. Essentially, every Illuminati hierarchy victim, has the Cabalistic tree of life placed in them. This tree lies below the other trees. The circles that make up the internal Cabalistic Tree of Life are called rooms or quads by the various survivors. Alters can use the internal Tree of Life to work magic internally. It also reminds deeper alters of cult control. The circles of the tree are rooms that can be entered into. Mt. Qabbalah is a figurative mountain in the Cabala.”
– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

This next piece, entitled “Seven Levels” is another highly detailed account of the process of dissociation.

Kim Noble Ritual Mind Control Systematic Abuse Victim

Comprised of several layers, this works depicts, from bottom to top, the “evolution” of a slave from the hell of trauma to the “heavenly” feeling of dissociation. The bottom two layers depict several horrific scenes of trauma. For example, we see in the bottom left corner a pregnant women giving birth to a dead child in a pool of blood under disturbing phrases such as “No Life”, “Death” and “Blood Death All Around”. There are also several caged children, others being electroshocked and others hung upside down. Inverted crosses are found all around these two bottom layers, reminding us that these traumatic events are Satanic Ritual Abuse (SRA).

All of this trauma, pain and suffering seems to be “channeled” towards the layers above, consisting of a plethora of occult symbols such as the Tree of Life, the signs of the zodiac and All-Seeing eyes. It is during this occult level that the transformation occurs.

The top layer represents the (only) escape to all this trauma: dissociation. It is represented by an angelic figure rising to the sky. Looking closely however, we see an All-Seeing Eye in the sky, which reminds us that this escape is not true freedom, but a controlled state that has been induced by the handlers.

This alter is a teenage girl who is anorexic. Most of her paintings place a heavy emphasis on the concept of duality – one of the most basic occult concepts exploited by mind control rituals. Duality is an ancient hermetic concept which is traditionally represented with the juxtaposition of the colors black and white, as with the Masonic checkerboard pattern or the symbol of the Ying Yang.

Judy’s works often give a prominent place to the Masonic checkerboard floor, the surface on which occult rituals and ceremonies take place in secret societies. She was probably heavily exposed to the concept of duality (good girl vs evil girl – something that is also found in popular culture) and the symbol of the checkered floor was probably physically used during programming.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“Crying Rose” fully exploits the theme of duality used on mind control victims to create a “split of personality”. The crying girl, who is dressed in a checkered dress, reflects the checkerboard pattern floor, therefore insinuating that duality is occurring within her.

Kim Noble Ritual Mind Control Systematic Abuse Victim

This piece, titled “Symbolic or What”, is indeed … symbolic. Two girls (or two personas of the same girl) avoid stepping on the checkerboard floor due to the presence of a snake. They appear to be covering their genitals, implying that the snake is phallic symbol. The painting also attests to the great psychic power of the checkerboard pattern on victims, a trait that was probably part of the programming.

Kim Noble Ritual Mind Control Systematic Abuse Victim

This painting portrays Monarch slaves as literal pawns on a chessboard, who are “played with” to then be disposed of by their handlers.

Kim Noble Ritual Mind Control Systematic Abuse Victim

This self-portrait depicts Judy as a person divided into opposite entities. The concept of duality is therefore very present and represented by the juxtaposition of the colors black and white. The shock words and insults on the image recall the violent and abusive process that leads to the fragmentation of the personality.

Ria Pratt

The paintings made by Ria Pratt are the most graphic and disturbing but also the most revealing. The alter believes she is a 12 year old girl and has vivid recollections of the trauma she has been subjected to, whether it be physical or dehumanizing. Simply watching these paintings is a difficult experience – it is further disheartening to realize that she actually lived these situations.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“It’s a Dog’s Life” depicts mind control victims being held on a leash like dogs – a technique to humiliate and dehumanize the victims. Notice the “transparent” version of the children floating in the air, representing their dissociated alter personality. An inscription on the wall says “Pratt Was Here” which emphasizes the fact that she saw and lived these things first hand.

Kim Noble Ritual Mind Control Systematic Abuse Victim

Entitled “Too Much”, the painting depicts a victim being electroshocked by a handler with a sick smile. The pain is “Too Much” to handle, resulting in the victim’s dissociation.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“What Ted Saw” depicts the abuse of a small child by its handlers. “Ted” is the small Teddy Bear sitting on the floor. Young mind control victims are often given Teddy Bears by their handlers to make them develop an emotional attachment to them. This attachment is then exploited by the handlers to create emotional trauma.

Kim Noble Ritual Mind Control Systematic Abuse Victim

In “Ted’s Legless”, Ria’s handler rips off one of her best friend’s legs while forcibly holding her on the ground. The trauma causes dissociation, which is represented by the transparent version of the girl. Haunting words are inscribed on the wall: “Help Me Please” and “Pratt was Here”.

Kim Noble Ritual Mind Control Systematic Abuse Victim

The symbol of a teared up teddy bear sometimes utilized by mass media in works containing hidden references to mind control. This scene is from a music video from pop singer Jessie J’s (see full article here), which contains several references to Monarch programming.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“Unspeakable” depicts the unspeakable: the abuse of small children by their handlers. Strange phrases a written on the wall along with an inverted cross, a symbol that appears to be hardwired into the brains of Monarch slaves.

Kim Noble Ritual Mind Control Systematic Abuse Victim

“No No!” depicts a forced abortion or premature birth. The bloody operation is witnessed by Ria, probably to traumatize her. According to Ellen P. Lacter, fetuses are either sacrificed in rituals or used as slaves.

Kim Noble Ritual Mind Control Systematic Abuse Victim

Another of abuse involving children, who have dissociated (transparent bodies floating).

Kim Noble Ritual Mind Control Systematic Abuse Victim

Children caged up like animals about to be tortured by a handler (who also appears to have dissociated).

Kim Noble Ritual Mind Control Systematic Abuse Victim

This sums up the life of a Monarch slave.

In Conclusion

Although Kim Noble enjoyed some mainstream exposure, the true source of the artist’s condition – Monarch programming – is nowhere to be found in mass media. Analyzed in its entirety, Noble’s body of work describes a highly organized and complex system that appears to hold great amounts of knowledge- occult and scientific – as well as material resources. This system also appears to literally own humans, mostly children, who are abused and traumatized to create within them programmable alter personas. The fact that no newspapers dared to investigate (or even mention) anything related to MK-Ultra, a program that was proved to use the exact techniques described in the paintings, tells volumes about the power of those operating it. The soulless handlers depicted in Noble’s paintings are not lone psychopaths, but high level officials of the Illuminati system who enjoy media immunity. In fact, they are sometimes part of the media as the worlds of the entertainment business and Monarch programming often collude.

Partly for this reason, the symbolism used during Monarch programming has spilled over to the mainstream entertainment business. Some of the world’s biggest stars are products of mind control. The same symbols used in the programming of Monarch slaves is sent to the world through mass media. High level mind control handlers and slaves (those who have “succeeded” at the various levels of programming) end up operating in show business. Some of our favorite entertainers are nothing more than puppets whose strings are pulled by unseen handlers. These handlers are “unseen” to most, but they certainly make themselves “seen” through the symbolism placed in the media.

Many of the symbols described on this site directly originate from the shady world of Monarch programming, which uses a complex system of occult images and powerful triggers. Although most of us are fortunate enough not to live through the hell endured by these MK slaves, we are still subject to a form of programming using movies, television, music and other forms of mass media. Those who operate behind the scenes attempt to slowly normalize their existence and their depraved behavior. Sadly, the reality is sicker than the fiction.

Gallery of Kim Noble’s Paintings
Origins and Techniques of Monarch Mind Control

[NOTE: BELOW IS PART OF THE ARTICLE FROM THE ABOVE LINK: http://vigilantcitizen.com/hidden-knowledge/origins-and-techniques-of-monarch-mind-control/ ]


Origins and Techniques of Monarch Mind Control

By VC on December 12, 2012

Monarch Celebrity Associated MKUltra Programming Handlers Torture Mind Control Networks

Monarch Programming is a method of mind control used by numerous organizations for covert purposes. It is a continuation of project MK-ULTRA, a mind-control program developed by the CIA, and tested on the military and civilians. The methods are astonishingly sadistic (its entire purpose is to traumatize the victim) and the expected results are horrifying: The creation of a mind-controlled slave who can be triggered at anytime to perform any action required by the handler. While mass media ignores this issue, over 2 million Americans have gone through the horrors of this program. This article looks at the origins of Monarch programming and some of its methods and symbolism.

Monarch programming is a mind-control technique comprising elements of Satanic Ritual Abuse (SRA) and Multiple Personality Disorder (MPD). It utilizes a combination of psychology, neuroscience and occult rituals to create within the slaves an alter persona that can be triggered and programmed by the handlers. Monarch slaves are used by several organizations connected with the world elite in fields such as the military, sex slavery and the entertainment industry. This article will look at the origins of Monarch programming, its techniques and its symbolism.


Although the admitted goals of the projects were to develop torture and interrogation methods to use on the country’s enemies, some historians asserted that the project aimed to create “Manchurian Candidates”, programmed to perform various acts such as assassinations and other covert missions.


Monarch Programming

“What I can say is I now believe that ritual-abuse programming is widespread, is systematic, is very organized from highly esoteric information which is published no-where, has not been on any book or talk show, that we have found it all around this country and at least one foreign country.

People say, “What’s the purpose of it?” My best guess is that the purpose of it is that they want an army of Manchurian Candidates, ten of thousands of mental robots who will do prostitution, do movies, smuggle narcotics, engage in international arms smuggling, all sorts of very lucrative things, and do their bidding and eventually the megalomaniacs at the top believe they’ll create a Satanic Order that will rule the world”. [4. D. Corydon Hammond, Ph.D]



The victim/survivor is called a “slave” by the programmer/handler, who in turn is perceived as “master” or “god.” About 75% are female, since they possess a higher tolerance for pain and tend to dissociate more easily than males. Monarch handlers seek the compartmentalization of their subject’s psyche in multiple and separate alter personas using trauma to cause dissociation.

The following is a partial list of these forms of torture:

1. Abuse and torture

2. Confinement in boxes, cages, coffins, etc, or burial (often with an opening or air-tube for oxygen)

3. Restraint with ropes, chains, cuffs, etc.

4. Near-drowning

5. Extremes of heat and cold, including submersion in ice water and burning chemicals

6. Skinning (only top layers of the skin are removed in victims intended to survive)

7. Spinning

8. Blinding light

9. Electric shock

10. Forced ingestion of offensive body fluids and matter, such as blood, urine, feces, flesh, etc.

11. Hung in painful positions or upside down

12. Hunger and thirst

13. Sleep deprivation

14 Compression with weights and devices

15. Sensory deprivation

16. Drugs to create illusion, confusion, and amnesia, often given by injection or intravenously

17. Ingestion or intravenous toxic chemicals to create pain or illness, including chemotherapy agents

18. Limbs pulled or dislocated

19. Application of snakes, spiders, maggots, rats, and other animals to induce fear and disgust

20. Near-death experiences, commonly asphyxiation by choking or drowning, with immediate resuscitation

22. Forced to perform or witness abuse, torture and sacrifice of people and animals, usually with knives

23. Forced participation in slavery

24. Abuse to become pregnant; the fetus is then aborted for ritual use, or the baby is taken for sacrifice or enslavement

25. Spiritual abuse to cause victim to feel possessed, harassed, and controlled internally by spirits or demons

26. Desecration of Judeo-Christian beliefs and forms of worship; dedication to Satan or other deities

27. Abuse and illusion to convince victims that God is evil, such as convincing a child that God has abused her

28. Surgery to torture, experiment, or cause the perception of physical or spiritual bombs or implants

29. Harm or threats of harm to family, friends, loved ones, pets, and other victims, to force compliance

30. Use of illusion and virtual reality to confuse and create non-credible disclosure [8. Ellen P. Lacter, Ph.D., Kinds of Torture Endured in Ritual Abuse and Trauma-Based Mind Control]

“The basis for the success of the Monarch mind-control programming is that different personalities or personality parts called alters can be created who do not know each other, but who can take the body at different times. The amnesia walls that are built by traumas, form a protective shield of secrecy that protects the abusers from being found out, and prevents the front personalities who hold the body much of the time to know how their System of alters is being used. The shield of secrecy allows cult members to live and work around other people and remain totally undetected. The front alters can be wonderful Christians, and the deeper alters can be the worst type of Satanic monster imaginable–a Dr. Jekyll/Mr. Hyde effect. A great deal is at stake in maintaining the secrecy of the intelligence agency or the occult group which is controlling the slave. The success rate of this type of programming is high but when it fails, the failures are discarded through death. Each trauma and torture serves a purpose. A great deal of experimentation and research went into finding out what can and can’t be done. Charts were made showing how much torture a given body weight at a given age can handle without death.” [9. Springmeier, op. cit.]

“Due to the severe trauma induced through ECT, abuse and other methods, the mind splits off into alternate personalities from the core. Formerly referred to as Multiple Personality Disorder, it is presently recognized as Dissociative Identity Disorder and is the basis for MONARCH programming. Further conditioning of the victim’s mind is enhanced through hypnotism, double-bind coercion, pleasure-pain reversals, food, water, sleep and sensory deprivation, along with various drugs which alter certain cerebral functions”. [10. Patton, op. cit.]

Dissociation is thus achieved by traumatizing the subject, using systematic abuse and using terrifying occult rituals. Once a split in the core personality occurs, an “internal world” can be created and alter personas can be programmed using tools such as music, movies (especially Disney productions) and fairy tales. These visual and audio aids enhance the programming process using images, symbols, meanings and concepts. Created alters can then be accessed using trigger words or symbols programmed into the subject’s psyche by the handler. Some of the most common internal images seen by mind control slaves are trees, Cabalistic Tree of life, infinity loops, ancient symbols and letters, spider webs, mirrors, glass shattering, masks, castles, mazes, demons, butterflies, hour glasses, clocks and robots. These symbols are commonly inserted in popular culture movies and videos for two reasons: to desensitize the majority of the population, using subliminals and neuro-linguistic programming and to deliberately construct specific triggers and keys for base programming of highly-impressionable MONARCH children. [11. Ibid.] Some of the movies used in Monarch programming include The Wizard of Oz, Alice in Wonderland, Pinocchio and Sleeping Beauty .

Levels of Monarch Programming

Regarded as “general” or regular programming,  ALPHA is within the base control personality. It characterized by extremely pronounced memory retention, along with substantially increased physical strength and visual acuity. Alpha programming is accomplished through deliberately subdividing the victims personality which, in essence, causes a left brain-right brain division, allowing for a programmed union of Left and Right through neuron pathway stimulation.

BETA is referred to as “sexual” programming (slaves). This programming eliminates all learned moral convictions and stimulates the primitive instinct, devoid of inhibitions. “Cat” alters may come out at this level. Known as Kitten programming, it is the most visible kind of programming as some female celebrities, models, actresses and singers have been subjected to this kind of programming. In popular culture, clothing with feline prints often denote Kitten programming.

DELTA  is known as “killer” programming and was originally developed for training special agents or elite soldiers (i.e. Delta Force, First Earth Battalion, Mossad, etc.) in covert operations. Optimal adrenal output and controlled aggression is evident. Subjects are devoid of fear and very systematic in carrying out their assignment. Self-destruct or suicide instructions are layered in at this level.

THETA – Considered to the “psychic” programming. Bloodliners (those coming from multi-generational Satanic families) were determined to exhibit a greater propensity for having telepathic abilities than did non-bloodliners. Due to its evident limitations, however, various forms of electronic mind control systems were developed and introduced, namely, bio-medical human telemetry devices (brain implants), directed-energy lasers using microwaves and/or electromagnetics. It is reported these are used in conjunction with highly-advanced computers and sophisticated satellite tracking systems. [13. Patton, op. cit.]

What if you could engineer a situation where you take a ‘regular Joe/Jane’ or someone slightly ‘different’ and even better ‘alienated’ and turn them into whatever you wanted?

I watched this film when it came out with a friend of mine, it was the last movie we went to see before going our separate ways and I think it was me who chose to watch this one because it had the longest running time but by the end of it we realized we should have chosen a comedy.

Anyway I’m not going to review it but here’s some info from Wiki:


The Cell is a 2000 American science fiction psychological thriller film and the directorial debut of Tarsem Singh, starring Jennifer Lopez, Vince Vaughn and Vincent D’Onofrio. It received mixed reviews upon its release, with critics praising the visuals, direction, make-up, costumes and D’Onofrio’s performance, but commenting on the Silence of the Lambs-inspired plot, the emphasis on style rather than substance and the somewhat masochistic images.


Child psychologist Catherine Deane (Jennifer Lopez) is an expert in an experimental treatment for coma patients: a virtual reality device that allows her to enter into the minds of her patients and attempt to coax them into consciousness. When serial killer Carl Rudolph Stargher (Vincent D’Onofrio) falls into a coma before the FBI can locate his final victim, Agent Peter Novak (Vince Vaughn) persuades Deane to enter Stargher’s mind and discover the victim’s location.[1] Stargher’s victim is imprisoned in a cell in the form of a glass enclosure that is slowly filling with water by means of an automatic timer.

Deane enters Stargher’s twisted mind, where she is confronted by both the violent and the innocent parts of the killer’s psyche. The innocent half shows her the abuse he suffered at his father’s hands and the birth of his pathology when he drowned an injured bird as a mercy killing. Deane attempts to nurture the innocent side of Stargher’s mind, but his murderous half thwarts her at every turn.

Despite Deane’s best efforts, she becomes trapped in Stargher’s dark dreamscape. Novak volunteers to enter Stargher’s mind and attempts to rescue Deane. He frees her from Stargher’s hold and discovers clues to the whereabouts of his victim. Novak relates his revelations to his team and they are able to track down the location of Stargher’s victim (Stargher had been entrusted by a company to take care of an advanced water pump, which he used to fill the cell with water). Novak discovers Stargher’s secret underground room and saves Stargher’s victim just in time. Meanwhile, Deane decides to reverse the process and pull Stargher’s mind into her own. She presents Stargher’s innocent side with a paradise, but his murderous side is always present and manifests as a serpent. This time, however, Deane has all the power; she attacks the serpent/Stargher only to discover that she cannot destroy one half without killing the other. Stargher’s innocent side reminds her of the bird he drowned, and she kills him to put him out of his misery. She adopts Stargher’s dog and successfully uses her new technique on her other coma patient (Colton James).

Artistic influences

Some of the scenes in The Cell are inspired by works of art. A scene in which a horse is split into sections by falling glass panels was inspired by the works of British artist Damien Hirst. The film also includes scenes based on the work of other late 20th century artists, including Odd Nerdrum, H. R. Giger and the Brothers Quay. Tarsem—who began his career directing music videos such as En Vogue’s “Hold On” and R.E.M.’s “Losing My Religion”—drew upon such imagery for Stargher’s dream sequences. In particular, he was influenced by videos directed by Mark Romanek, such as “Closer” and “The Perfect Drug” by Nine Inch Nails, “Bedtime Story” by Madonna, and the many videos that Floria Sigismondi directed for Marilyn Manson. During a scene, Jennifer Lopez falls asleep watching a film; the film is Fantastic Planet.

This is not to justify anybody with such behaviours on either side i.e. the mind control/mind raping/soul destroying side of the ‘security surveillance’ nor the violent, inhumane psychopath they just happen to be following in the film – but just how far would ‘people’ would go to make someone into one ‘side’ or the other, why and how they’d get away with it. A bit like the film ‘Inception’ (2010).

Oh and btw looking up ‘cybernetic’, ‘psychotronic whore’, ‘mollusc’, ‘hybrid’, ‘drone’ and a whole load of other crap doesn’t apply to me, especially the ‘Myra Hindley’.

Note – I mentioned Fantastic Planet HERE titled ‘Who/What are the Blue Beings, why are we inspired by them? Although being a US film it could also conveniently be a dig at the former USSR, like the English and the French the ‘feud’ never ends.)

The Cell Jennifer Lopez Movie Film Symbolism

Hell in a cell i.e. invisible yet visible prison.

The Cell Jennifer Lopez Film Movie Symbolism

Her work clothes – one ‘body suit’ which…

The Cell Jennifer Lopez Film Movie Symbolism

… She conveniently changes for another and with a mask whilst in his mind – notice the placement of the lights (sun/star and pillars).

The Cell Jennifer Lopez Film Movie Symbolism

How very similar to the enemy. Looks is one thing, acting like these people (‘good’ or ‘bad’, or the fake ‘light’ or ‘dark’) is another – some people make great game/targets for ‘change’ to players.

The Cell Jennifer Lopez Film Movie Symbolism

He’s a bad bird now that needs killing (apparently mercifully) – and to do so the ‘good’ side go into the mind or as some could call it ‘the astral plane’ to do the job.

The Cell Jennifer Lopez Film Movie Symbolism

So it’s ok for her to play Mother Mary now (as well as the Red ‘whore’/’prostitute’ double meaning but with White for the ‘good’ ‘purity’ side.)

The Cell Jennifer Lopez Film Movie Symbolism

And then the Dark Mother (wannabe) with the Red and Black. (Note that Mary was never a Mother Goddess or even a Goddess.)

The Cell Jennifer Lopez Film Movie Symbolism

Black and White – both extremes, two sides of the same coin, both beautiful; unfortunately here she’s portrayed as a Goddess, even a Warrior Goddess as a rider. Both the violator (the security/watchers) and the violated (here the child was violated and became a violator) are metamorphosed.

The Cell Jennifer Lopez Film Movie Symbolism

Hmm, decide for yourselves.

There is a heck of a lot of symbolism (including religious) in this film which you can see from the pictures and it makes for a very gruesome metaphor, the film is practically a vehicle and anybody wanting to explain or interpret it could have a field day. Again I’m not going to bother right now (maybe later) but basically it shows in a subtle yet obvious way (subtle i.e. artistically and easy to dismiss for those not really looking and hidden in plain sight for those who ‘know’ or think they/we do) both ‘sides’ are one and the same ultimately (so you have to be careful if you’re in the middle and not affiliated lol). Just to point out the use of the serpent and the mercy killing of the bird were streamlined, initially in the film they seemed like ‘good’ and ‘bad’ but ultimately they can and were used together as one thing such as winged serpent beings or Caduceus, or in this case for transformation. An innocent is turned into a villain and taken out by super villains acting as good folk. It’s ironic, Mum and I once shared the same dream on the same night and we both had the same reaction, both involved the killing of an innocent bird and right afterwards three ‘interesting’ networks came along. It’d be more interesting however to look into the ‘history’ of the symbolic so-called cat people [or at least group of] being conquered by a group of serpentine people, I hesitate to call them reptile/reptilian since it’s getting more complicated nowadays with the ‘groupings’.

National POW/MIA Recognition Day is celebrated on September 16, 2016. In the United States, National POW/MIA Recognition Day is observed on the third Friday in September. It honors those who were prisoners of war and those who are still missing in action. This day was established by an Act of Congress, by the passage of Section 1082 of the 1998 Defense Authorization Act.

It is one of six days that the POW/MIA Flag can be flown. The POW/MIA flag was first recognized by Public Law 101-355 in 1990. The POW/MIA flag should fly below, and not be larger than the United States flag. It is generally flown immediately below or adjacent to the United States flag as second in order of precedence. (With material from: Wikipedia)

I find this truly hypocritical. A superstate which has a ridiculously high amount of inmates, exploitation of those inmates, torture as a norm and increasing amounts of ‘regular’ people saying they’re being tortured by things like gang stalking and direct energy weapons (‘through the wall’ etc tons of info by people like Kerry Cassidy) and of course international ‘torture without borders’.

That said (as usual) I like the ideal of such days/memorials.

To digress it reminds me of when David Blaine performed one of his amazing feats of willpower – a 6 week ordeal – but left the US for the UK to do so, London of course. I decided to visit him whilst wearing my ‘Ox-blood’ coloured long leather coat (before I was vegan obviously; interestingly a certain Foe knew about it and used it in an ‘induction party’ image/scene even though I only ever wore it twice and I’d wanted bright Red/Crimson blood but ended up with that kind of dark Red/Burgundy bought on my behalf, funnily enough it was lined with Red/Green luminescent/shiny/two tone fabric). David was in a transparent glass box/cage (see tv show ‘Sapphire and Steel’ 1979-82 Assignment Three, or even better/a more up to date see-through invisible prison scenario movie ‘Escape Plan’ 2013) and was on a liquid diet, throwing his nappies out of the box down to the public/a container underneath. I got his attention for a while (I found the fast food stand right next to him [and the bin] very tacky) but then I turned my back on him to look at the river and as usual when you’re by yourself someone just has to bother you. An older man came up to me and started talking about his dead ex-wife, how much he missed her and then about freemasonry and his life. What a convenient location for such monologue-ing (I wasn’t really listening).

Sapphire and Steel Assignment Three

(Sidenote – I thought Assignments 1 & 2 were the best for both storyline and production out of the 6; the 1st covers the use of fairytale/rhyme/storytelling for delivering esoteric information and making it [too] memorable, the 2nd covers the use of soldiers and sacrifice – they’re poignant and creepy. Exempting the finale all cover the accumulation of presence/energy/our energy in a place over time and how that effects us from ‘sick building syndrome’ to poltergeist activity and ghosts. For some the gem and metal codename combinations might be interesting.)

These are just two of the decks I had:

You thought you knew which numbers I was, you don’t even know the sequence a famous astrologer used for me (he & his son who I was recently ‘fluenced to lookup, told to trust my ‘celestial guardians/guides’. I don’t trust anybody. I don’t accept anyone, anything, no one, nothing.) Crush the game. There are no winners, only losers to different degrees.